A close up of a man in a helmet standing in front of a wall of lights

<lora:TerryGilliam:1>A scene from the Terry Gilliam film Brazil as directed by Orson Welles, shot on an Arri Alexa Mini LF with a 50mm lens, under neon-lit conditions. Symmetrical facial features, fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech, low-life ethos of cyberpunk, developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape, filled with imposing architecture, holographic advertisements, and a diverse crowd of cyborgs and humans.

(rmadaneg-neg:1.3)