(photorealism:1.2), A photo of an old church that has been devastated by a grey

(photorealism:1.2), A photo of an old church that has been devastated by a grey monster or alien with deformities and multiple arms. The photo begins with a general view of the outside of the church, now partially collapsed, and then goes into the interior to detail the impact of the disaster. The stained glass window in the background is broken, with fragments scattered on the floor, and the wall and ceiling behind the stained glass show deep cracks and debris. The ceiling and wall are partially collapsed, allowing the light of a sunny day to filter through. In the background of the church, it describes the monster or alien: a grotesque, greyish-brown figure with multiple deformed arms, nailed in a crucifixion position amidst the destruction. It highlights how the presence of this entity distorts the atmosphere of the church, and how the remains of the structure contrast with the image of the monster. He uses visual and sensory descriptions to convey the mix of the sacred and the sinister that emanates from within a cave or an old, ruined building, where a gigantic monster is embedded in the wall and ceiling. The monster, with its grey, misshapen body, has multiple outstretched arms and glowing red eyes that seem to follow the viewer. Its head is tilted to one side in an eerie position, as if it is observing from a strange and disturbing perspective. The monster’s skin merges with the stone surfaces, showing a grotesque fusion between creature and surroundings. Behind the monster, through an opening in the collapsed wall or ceiling, lies a lush, dark forest. The tall, dense trees appear even more menacing when contrasted with the monster’s presence. He describes how the scene, with its mix of monstrosity and wildness, creates an atmosphere of palpable terror. He uses visual and emotional details to convey the sense of horror and imminent threat.

Luis Guillermo Perezbolde Rodriguez

Generation Data

السجل

(photorealism:1 . 2) , A photo of an old church that has been devastated by a grey monster or alien with deformities and multiple arms . The photo begins with a general view of the outside of the church , now partially collapsed , and then goes into the interior to detail the impact of the disaster . The stained glass window in the background is broken , with fragments scattered on the floor , and the wall and ceiling behind the stained glass show deep cracks and debris . The ceiling and wall are partially collapsed , allowing the light of a sunny day to filter through . In the background of the church , it describes the monster or alien: a grotesque , greyish-brown figure with multiple deformed arms , nailed in a crucifixion position amidst the destruction . It highlights how the presence of this entity distorts the atmosphere of the church , and how the remains of the structure contrast with the image of the monster . He uses visual and sensory descriptions to convey the mix of the sacred and the sinister that emanates from within a cave or an old , ruined building , where a gigantic monster is embedded in the wall and ceiling . The monster , with its grey , misshapen body , has multiple outstretched arms and glowing red eyes that seem to follow the viewer . Its head is tilted to one side in an eerie position , as if it is observing from a strange and disturbing perspective . The monster’s skin merges with the stone surfaces , showing a grotesque fusion between creature and surroundings . Behind the monster , through an opening in the collapsed wall or ceiling , lies a lush , dark forest . The tall , dense trees appear even more menacing when contrasted with the monster’s presence . He describes how the scene , with its mix of monstrosity and wildness , creates an atmosphere of palpable terror . He uses visual and emotional details to convey the sense of horror and imminent threat .

معلومات

مقاس

688X1024

تاريخ

Aug 29, 2024

الوضع

الاستوديو

النوع

cell

Checkpoint & LoRA

SeaArt Infinity

SeaArt Infinity

#شخصيات ملحمية

#SeaArt Infinity

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