Perfect and beautiful face、beautiful 20 year old girl、 Beautiful and very pretty

Perfect and beautiful face、beautiful 20 year old girl、 Beautiful and very pretty sexy face、 Beautiful sky blue eyes , cute and sexy 、 Beautiful pearl blonde hair , bright, silky and smooth very super long 、 Super long and beautiful bangs 、 white skin、pele bright、striking face、Cheek glow、Hair above the eyes、片Hair above the eyes、 hair between the eyes 、body proportions, (Chapped lips:1.4), (blush de nariz:1.2), foreshortening, black cuts, (eye contact), High contrast, ultra high resolution, high resolution, detailed, Clean face, ( sexy face :1.5), (big purple eyes:1.2), ( ultra detailed eyes :1.4), ( high resolution eyes:1.1), ( ultra detailed skin texture:1.4), PERSEPHONE, Persephone, Persephone, (SFW:1.5), (full body:1.8), (upper body up:0.3), (hyper realistic:1.4), (realistic:1.3), (best quality real texture skin), Detailed eyes, detailed face, Cameltoe

Erstellungsinformationen

Prompts

Perfect and beautiful face、beautiful 20 year old girl、 Beautiful and very pretty sexy face、 Beautiful sky blue eyes , cute and sexy 、 Beautiful pearl blonde hair , bright , silky and smooth very super long 、 Super long and beautiful bangs 、 white skin、pele bright、striking face、Cheek glow、Hair above the eyes、片Hair above the eyes、 hair between the eyes 、body proportions , (Chapped lips:1 . 4) , (blush de nariz:1 . 2) , foreshortening , black cuts , (eye contact) , High contrast , ultra high resolution , high resolution , detailed , Clean face , ( sexy face :1 . 5) , (big purple eyes:1 . 2) , ( ultra detailed eyes :1 . 4) , ( high resolution eyes:1 . 1) , ( ultra detailed skin texture:1 . 4) , PERSEPHONE , Persephone , Persephone , (SFW:1 . 5) , (full body:1 . 8) , (upper body up:0 . 3) , (hyper realistic:1 . 4) , (realistic:1 . 3) , (best quality real texture skin) , Detailed eyes , detailed face , Cameltoe

Größe

1536X864

Datum

Oct 27, 2024

Modell

Standard

Typ

upscale

Checkpoint & LoRA

Persephone Checkpoint

ARTE CLASSICA II

ARTE CLASSICA II

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