Draw an allegorical painting of the sin 'Envy' in the style of

Draw an allegorical painting of the sin 'Envy' in the style of 'The Last Supper'. The scene: a lavish feast at a long wooden table, laden with food — roasted meat, fruits, golden goblets of wine. The only character is Megera, one of the Greek Erinyes, embodying envy: a gaunt, fierce woman draped in a tattered green robe, her head entirely crowned with writhing snakes instead of hair, like Gorgon Medusa, each strand a living serpent, and bared, snarling teeth, radiating subtle malice. She sits facing forward, her shadowed, venomous eyes gazing quietly to the left, simmering with restrained jealousy, fixed on something beyond the frame. Her bony hands rest lightly on the table edge, nails barely grazing it, her body rigid yet composed. Her spot is barren — a lone crust of bread and a cracked cup — starkly contrasting the untouched feast before her, whispering deprivation. The composition is symmetrical, with warm golden lighting casting harsh shadows on Megera, set against a dark background, in the style of classical painting with rich ancient Greek details, textured and dramatic

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Draw an allegorical painting of the sin 'Envy' in the style of 'The Last Supper' . The scene: a lavish feast at a long wooden table , laden with food — roasted meat , fruits , golden goblets of wine . The only character is Megera , one of the Greek Erinyes , embodying envy: a gaunt , fierce woman draped in a tattered green robe , her head entirely crowned with writhing snakes instead of hair , like Gorgon Medusa , each strand a living serpent , and bared , snarling teeth , radiating subtle malice . She sits facing forward , her shadowed , venomous eyes gazing quietly to the left , simmering with restrained jealousy , fixed on something beyond the frame . Her bony hands rest lightly on the table edge , nails barely grazing it , her body rigid yet composed . Her spot is barren — a lone crust of bread and a cracked cup — starkly contrasting the untouched feast before her , whispering deprivation . The composition is symmetrical , with warm golden lighting casting harsh shadows on Megera , set against a dark background , in the style of classical painting with rich ancient Greek details , textured and dramatic

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Datum

Apr 10, 2025

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cell

Checkpoint & LoRA

SeaArt Infinity

SeaArt Infinity

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