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The Anthropophagic Manifesto and the Pau-Brasil Poetry Manifesto are both landmarks of the twentieth-century Brazilian modernist movement
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The Anthropophagic Manifesto
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escrito por Oswald de Andrade em 1928
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proposes a "devouring" and assimilation of foreign influences by Brazilian culture
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Taking inspiration from the metaphor of cannibalism
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The Manifesto of Pau-Brasil Poetry
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de 1924
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also by Oswald
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advocates a poetry that reflects the essence and diversity of Brazilian culture
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assimilando elementos da natureza e da vida cotidiana
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Both seek an authentically Brazilian artistic and cultural identity
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but with different approaches and metaphors
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