Prompt: A highly realistic South Asian village scene. A young woman with long b

Prompt:

A highly realistic South Asian village scene. A young woman with long black hair is lying face down on a worn red rug placed on dusty ground in a rural courtyard. Her body is in a collapsed, exhausted state. She is wearing a half-loose, torn floral kurta, exposing parts of her back and legs. Her arms are spread out and one leg slightly bent, indicating helplessness. Her face is turned to the side, partially visible with wet hair clinging to her cheeks.

Two middle-aged village women in traditional, faded shalwar kameez are holding her arms and legs firmly, preventing her from moving. One older woman, possibly in her 60s, with wrinkled skin and white hair tied in a loose bun, is pouring a large steel pot of water over the girl's head. The water is splashing and running across the rug and her body, indicating some ritual or forceful act.

In the background, a man in his 50s, wearing a brown kurta and holding a thick wooden stick, is standing with an angry and serious expression, slightly leaning forward as if ready to intervene. Another young man, wearing jeans and a casual shirt, stands near an old motorcycle, watching silently. A third man is sitting cross-legged on the ground, back resting against a mud wall of a house, observing the scene with a blank stare.

The surroundings include dusty ground, mud-brick houses with faded walls, a thatched roof partially visible, and a dry tree casting long shadows. The lighting is natural daylight, but the mood is intense, emotional, and tense. The entire environment reflects rural hardship, cultural depth, and raw human emotion.

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Prompt: A highly realistic South Asian village scene . A young woman with long black hair is lying face down on a worn red rug placed on dusty ground in a rural courtyard . Her body is in a collapsed , exhausted state . She is wearing a half-loose , torn floral kurta , exposing parts of her back and legs . Her arms are spread out and one leg slightly bent , indicating helplessness . Her face is turned to the side , partially visible with wet hair clinging to her cheeks . Two middle-aged village women in traditional , faded shalwar kameez are holding her arms and legs firmly , preventing her from moving . One older woman , possibly in her 60s , with wrinkled skin and white hair tied in a loose bun , is pouring a large steel pot of water over the girl's head . The water is splashing and running across the rug and her body , indicating some ritual or forceful act . In the background , a man in his 50s , wearing a brown kurta and holding a thick wooden stick , is standing with an angry and serious expression , slightly leaning forward as if ready to intervene . Another young man , wearing jeans and a casual shirt , stands near an old motorcycle , watching silently . A third man is sitting cross-legged on the ground , back resting against a mud wall of a house , observing the scene with a blank stare . The surroundings include dusty ground , mud-brick houses with faded walls , a thatched roof partially visible , and a dry tree casting long shadows . The lighting is natural daylight , but the mood is intense , emotional , and tense . The entire environment reflects rural hardship , cultural depth , and raw human emotion .

Tamaño

1024X592

Fecha

Apr 7, 2025

Modo

Estudio

Tipo

cell

Checkpoint & LoRA

SeaArt Infinity

SeaArt Infinity

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