A large tree with no leaves in the middle of a desert

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/imagine prompt:
color photo of: "A blood-red sky
,
silhouette of a towering cosmic tree
,
abstract figures scattered across a wasteland
,
each with a unique style
,
all with glowing crimson eyes"
A surreal and haunting scene
,
where the sky bleeds crimson
,
casting an eerie glow upon the desolate landscape
.
The silhouette of a colossal cosmic tree stretches towards the heavens
,
its branches twisting and reaching like otherworldly tendrils
.
Amidst the barren wasteland
,
a multitude of abstract figures emerge
,
their forms taking on various shapes and sizes
.
Some appear as twisted creatures
,
their bodies contorted and malformed
,
while others manifest as ethereal specters
,
their translucent forms hovering above the ground
.
All of them share one striking feature - eyes that emanate a sinister crimson light
,
piercing through the darkness
.
The atmosphere is thick with an otherworldly presence
,
a sense of foreboding that permeates the air
.
Captured with a vintage camera
,
the photo exhibits a dreamlike quality
.
Shot with a Leica M7
,
using a vibrant color film like Kodak Ektar 100
,
the image is bathed in rich hues
,
intensifying the vividness of the blood-red sky
.
A wide-angle lens
,
such as a Leica Summilux-M 35mm f/1
.
4
,
was employed to encompass the vastness of the scene
,
allowing the towering cosmic tree to dominate the frame
.
Techniques like long exposure were utilized to capture the ethereal movements of the multitude of abstract figures
,
blurring their forms and adding a touch of surrealism to the composition
.
Unlikely collaborators who would juxtapose uniquely in this scene include visionary director Guillermo del Toro
,
renowned cinematographer Roger Deakins
,
avant-garde photographer Cindy Sherman
,
boundary-pushing fashion designer Alexander McQueen
,
and experimental filmmaker David Lynch
.
Their distinct artistic visions and unconventional approaches to storytelling would bring an even more mesmerizing and chilling dimension to this already haunting scene
.
—c 10 —ar 2:3
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