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G1g3r, The image is a detailed view of H.R. Giger's biomechanical tableau

g1g3r, The image is a detailed view of H.R. Giger's biomechanical tableau \" LANDSCAPE No 312 \" plate, featuring
a complex, intricate, and detailed design of endless Machine in the transit space over the cascade of fallen water, that appears to be a fusion of organic and mechanical elements, with a focus on the interplay between the two.The piece is a tableau, most likely created with a India ink pen or pencil on paper, determined by the thin lines, shading techniques, and the texture of the paper, which is visible around the edges.
Used is pen, given the shading and variations in line weight visible in the image. Artist have used a variety of stylus with different degrees of hardness to achieve the shading effects.
 The use of undersaturated green-grays dark contrasts creates a stark and graphic look. Is used a variety of linework techniques to create different textures. Fine, parallel lines create a smooth, metallic texture,while thicker, more cursive lines suggest cables or wires.
Light source from the top highlights skeletals, pper part of foreground, lower part of image is in shadowupper part of foreground, lower part of image is in shadow.
The art performance showcases the artist’s skills in observation and rendering. The level of detail in the piece suggests a close study of real bone specimens and mechanics. The artist has skillfully used shading techniques to create a convincing illusion of three-dimensionality on a flat surface. The wrinkles and cracks in the surface, and the cast shadows with accuracy, used shading techniques to create a realistic depiction of light and shadow on the objects. This creates a sense of depth and dimension in the image. The artist has used careful linework to depict the contours and textures in the piece
Sharp focus on foreground elements illustration. Deep and delicate DOF. Big painting. Stored in Louvre masterpiece, ooze soaked pajama top
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g1g3r, The image is a detailed view of H.R. Giger's biomechanical tableau \" LANDSCAPE No 312 \" plate, featuring a complex, intricate, and detailed design of endless Machine in the transit space over the cascade of fallen water, that appears to be a fusion of organic and mechanical elements, with a focus on the interplay between the two.The piece is a tableau, most likely created with a India ink pen or pencil on paper, determined by the thin lines, shading techniques, and the texture of the paper, which is visible around the edges. Used is pen, given the shading and variations in line weight visible in the image. Artist have used a variety of stylus with different degrees of hardness to achieve the shading effects. The use of undersaturated green-grays dark contrasts creates a stark and graphic look. Is used a variety of linework techniques to create different textures. Fine, parallel lines create a smooth, metallic texture,while thicker, more cursive lines suggest cables or wires. Light source from the top highlights skeletals, pper part of foreground, lower part of image is in shadowupper part of foreground, lower part of image is in shadow. The art performance showcases the artist’s skills in observation and rendering. The level of detail in the piece suggests a close study of real bone specimens and mechanics. The artist has skillfully used shading techniques to create a convincing illusion of three-dimensionality on a flat surface. The wrinkles and cracks in the surface, and the cast shadows with accuracy, used shading techniques to create a realistic depiction of light and shadow on the objects. This creates a sense of depth and dimension in the image. The artist has used careful linework to depict the contours and textures in the piece Sharp focus on foreground elements illustration. Deep and delicate DOF. Big painting. Stored in Louvre masterpiece, ooze soaked pajama top

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Nebuhodanezer
Generation Data
Records
Prompts
Copy
g1g3r , The image is a detailed view of H . R . Giger's biomechanical tableau \" LANDSCAPE No 312 \" plate , featuring a complex , intricate , and detailed design of endless Machine in the transit space over the cascade of fallen water , that appears to be a fusion of organic and mechanical elements , with a focus on the interplay between the two . The piece is a tableau , most likely created with a India ink pen or pencil on paper , determined by the thin lines , shading techniques , and the texture of the paper , which is visible around the edges . Used is pen , given the shading and variations in line weight visible in the image . Artist have used a variety of stylus with different degrees of hardness to achieve the shading effects . The use of undersaturated green-grays dark contrasts creates a stark and graphic look . Is used a variety of linework techniques to create different textures . Fine , parallel lines create a smooth , metallic texture , while thicker , more cursive lines suggest cables or wires . Light source from the top highlights skeletals , pper part of foreground , lower part of image is in shadowupper part of foreground , lower part of image is in shadow . The art performance showcases the artist’s skills in observation and rendering . The level of detail in the piece suggests a close study of real bone specimens and mechanics . The artist has skillfully used shading techniques to create a convincing illusion of three-dimensionality on a flat surface . The wrinkles and cracks in the surface , and the cast shadows with accuracy , used shading techniques to create a realistic depiction of light and shadow on the objects . This creates a sense of depth and dimension in the image . The artist has used careful linework to depict the contours and textures in the piece Sharp focus on foreground elements illustration . Deep and delicate DOF . Big painting . Stored in Louvre masterpiece , ooze soaked pajama top
INFO
Prompts
g1g3r, The image is a detailed view of H.R. Giger's biomechanical tableau \" LANDSCAPE No 312 \" plate, featuring a complex, intricate, and detailed design of endless Machine in the transit space over the cascade of fallen water, that appears to be a fusion of organic and mechanical elements, with a focus on the interplay between the two.The piece is a tableau, most likely created with a India ink pen or pencil on paper, determined by the thin lines, shading techniques, and the texture of the paper, which is visible around the edges. Used is pen, given the shading and variations in line weight visible in the image. Artist have used a variety of stylus with different degrees of hardness to achieve the shading effects. The use of undersaturated green-grays dark contrasts creates a stark and graphic look. Is used a variety of linework techniques to create different textures. Fine, parallel lines create a smooth, metallic texture,while thicker, more cursive lines suggest cables or wires. Light source from the top highlights skeletals, pper part of foreground, lower part of image is in shadowupper part of foreground, lower part of image is in shadow. The art performance showcases the artist’s skills in observation and rendering. The level of detail in the piece suggests a close study of real bone specimens and mechanics. The artist has skillfully used shading techniques to create a convincing illusion of three-dimensionality on a flat surface. The wrinkles and cracks in the surface, and the cast shadows with accuracy, used shading techniques to create a realistic depiction of light and shadow on the objects. This creates a sense of depth and dimension in the image. The artist has used careful linework to depict the contours and textures in the piece Sharp focus on foreground elements illustration. Deep and delicate DOF. Big painting. Stored in Louvre masterpiece, ooze soaked pajama top
Negative Prompts
verybadimagenegative_v1.3, ng_deepnegative_v1_75t, (ugly face:0.8),cross-eyed,sketches, (worst quality:2), (low quality:2), (normal quality:2), lowres, normal quality, ((monochrome)), ((grayscale)), skin spots, acnes, skin blemishes, bad anatomy, DeepNegative, facing away, tilted head, {Multiple people}, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worstquality, low quality, normal quality, jpegartifacts, signature, watermark, username, blurry, bad feet, cropped, poorly drawn hands, poorly drawn face, mutation, deformed, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, extra fingers, fewer digits, extra limbs, extra arms,extra legs, malformed limbs, fused fingers, too many fingers, long neck, cross-eyed,mutated hands, polar lowres, bad body, bad proportions, gross proportions, text, error, missing fingers, missing arms, missing legs, extra digit, extra arms, extra leg, extra foot, ((repeating hair))
CFG Scale
3.5
Steps
38
Sampler
DPM++ 3M SDE Exponential
Seed
1847942908
Clip Skip
4
Image Size
1024 X 640
Model
v1-5-pruned-emaonly
Generate
Size
1024X640
Date
Jul 18, 2024
Mode
Default
Type
upscale
Checkpoint & LoRA
v1-5-pruned-emaonly
Checkpoint
v1-5-pruned-emaonly
H.R. Giger Arh+
LORA
H.R. Giger Arh+
Xeno Detailer - Magic Scene Detailer
LORA
Xeno Detailer - Magic Scene Detailer
zyd232's Ink Style
LORA
zyd232's Ink Style
xGiger
Embedding
xGiger
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0
0
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