### Physical Profile of Ukiyo-e Painting **theme:** cherry trees

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### Physical Profile of Ukiyo-e Painting
**theme:** cherry trees
,
mount fuji
,
pagoda
**Dimensions:**
- **Height:** 39 cm
- **Length:** 26 cm
**materials:**
- **paper:** paper washi de alta qualidade
,
Known for its durability and smooth texture
.
- **inks:** inks à base de pigmentos naturais
,
providing vibrant
,
long-lasting colors
.
**Visual Description:**
- **fund:** O mount fuji majestoso domina o fundo da pintura
,
with its snow-covered peak contrasting with the clear blue sky
.
- **sky:** The sky is punctuated by delicate clouds
,
suggesting a gentle breeze
.
- **cherry trees:** Em primeiro plano
,
there are cherry trees in full bloom
,
with pink petals falling softly
.
The trees are represented in detail
,
with winding branches and delicate flowers
.
- **pagoda:** A traditional Japanese pagoda is situated to the right of the painting
,
partially hidden among the cherry trees
.
Its red and gold colors stand out against the green of the leaves and the pink of the flowers
..
- **people:** Small human figures in traditional clothing can be seen around the pagoda and cherry trees
,
some admiring the landscape
,
others interacting with each other
.
- **detaileds:** The use of fine
,
precise lines
,
characteristics of the Ukiyo-e style
,
highlights the outlines of trees
,
of the pagoda and human figures
.
Subtle shading and use of color gradients add depth and dimension to the painting
.
**artist signature:**
- The artist'
;
s signature is located in the bottom left corner
,
in kanji characters
,
followed by a characteristic red seal
.
**picture frame:**
- **material:** Cherry wood
,
polished and varnished
.
- **styled:** simple and elegant
,
complementing the traditional painting aesthetic without distracting the eye
.
This profile describes an Ukiyo-e painting that combines iconic natural and architectural elements of Japan
,
capturando a beleza efêmera das cerejeiras em flor e a imponência do mount fuji
,
all framed by a refined artistic technique
.
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