Here’s a detailed concept for the cover of “Colaad iyo Cadceed

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Here’s a detailed concept for the cover of “Colaad iyo Cadceed,” using the city of Mogadishu to depict both conflict and hope: 1. Mogadishu as the Central Element: • Mogadishu’s Duality: The cover should feature Mogadishu as the central element, depicted in two contrasting states. The city should be shown as both a site of conflict and destruction, as well as a place of hope and rebuilding. 2. Upper Section - Mogadishu in Conflict: • Conflict-Ridden Mogadishu: The upper part of the cover can depict Mogadishu during a time of war and conflict. The cityscape could be shown with damaged buildings, rubble in the streets, and smoke rising into a dark, cloudy sky. The overall atmosphere should feel tense and ominous, with muted, dark colors like grays, blacks, and deep blues dominating this section. The iconic buildings of Mogadishu could be seen in a state of disrepair, emphasizing the impact of the conflict. 3. Lower Section - Mogadishu in Hope and Rebuilding: • Rebuilding and Hope in Mogadishu: In contrast, the lower section of the cover should show Mogadishu in a state of renewal and hope. The same cityscape can be depicted, but this time with signs of rebuilding and recovery. The sky could be clear or show a sunrise, with warm colors like golds, oranges, and soft yellows bathing the scene. New buildings might be rising, people going about their lives, and greenery starting to reclaim the urban space, symbolizing the resilience of the city and its people. 4. Central Figure or Symbol: • Bridge Between Conflict and Hope: A central figure, possibly Mohamed, can be placed between the two scenes, symbolizing the bridge between conflict and hope. He could be standing firmly, with a tool of his trade (like a cobbler’s hammer) in hand, representing his role in rebuilding. Alternatively, you could use a symbolic image, like a cracked but still standing pillar, connecting the top and bottom halves of the cover, representing the city’s endurance. 5. Title and Typogr

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Qaran-doon cusman

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Here’s a detailed concept for the cover of “Colaad iyo Cadceed , ” using the city of Mogadishu to depict both conflict and hope: 1 . Mogadishu as the Central Element: • Mogadishu’s Duality: The cover should feature Mogadishu as the central element , depicted in two contrasting states . The city should be shown as both a site of conflict and destruction , as well as a place of hope and rebuilding . 2 . Upper Section - Mogadishu in Conflict: • Conflict-Ridden Mogadishu: The upper part of the cover can depict Mogadishu during a time of war and conflict . The cityscape could be shown with damaged buildings , rubble in the streets , and smoke rising into a dark , cloudy sky . The overall atmosphere should feel tense and ominous , with muted , dark colors like grays , blacks , and deep blues dominating this section . The iconic buildings of Mogadishu could be seen in a state of disrepair , emphasizing the impact of the conflict . 3 . Lower Section - Mogadishu in Hope and Rebuilding: • Rebuilding and Hope in Mogadishu: In contrast , the lower section of the cover should show Mogadishu in a state of renewal and hope . The same cityscape can be depicted , but this time with signs of rebuilding and recovery . The sky could be clear or show a sunrise , with warm colors like golds , oranges , and soft yellows bathing the scene . New buildings might be rising , people going about their lives , and greenery starting to reclaim the urban space , symbolizing the resilience of the city and its people . 4 . Central Figure or Symbol: • Bridge Between Conflict and Hope: A central figure , possibly Mohamed , can be placed between the two scenes , symbolizing the bridge between conflict and hope . He could be standing firmly , with a tool of his trade (like a cobbler’s hammer) in hand , representing his role in rebuilding . Alternatively , you could use a symbolic image , like a cracked but still standing pillar , connecting the top and bottom halves of the cover , representing the city’s endurance . 5 . Title and Typogr

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Here’s a detailed concept for the cover of “Colaad iyo Cadceed,” using the city of Mogadishu to depict both conflict and hope: 1. Mogadishu as the Central Element: • Mogadishu’s Duality: The cover should feature Mogadishu as the central element, depicted in two contrasting states. The city should be shown as both a site of conflict and destruction, as well as a place of hope and rebuilding. 2. Upper Section - Mogadishu in Conflict: • Conflict-Ridden Mogadishu: The upper part of the cover can depict Mogadishu during a time of war and conflict. The cityscape could be shown with damaged buildings, rubble in the streets, and smoke rising into a dark, cloudy sky. The overall atmosphere should feel tense and ominous, with muted, dark colors like grays, blacks, and deep blues dominating this section. The iconic buildings of Mogadishu could be seen in a state of disrepair, emphasizing the impact of the conflict. 3. Lower Section - Mogadishu in Hope and Rebuilding: • Rebuilding and Hope in Mogadishu: In contrast, the lower section of the cover should show Mogadishu in a state of renewal and hope. The same cityscape can be depicted, but this time with signs of rebuilding and recovery. The sky could be clear or show a sunrise, with warm colors like golds, oranges, and soft yellows bathing the scene. New buildings might be rising, people going about their lives, and greenery starting to reclaim the urban space, symbolizing the resilience of the city and its people. 4. Central Figure or Symbol: • Bridge Between Conflict and Hope: A central figure, possibly Mohamed, can be placed between the two scenes, symbolizing the bridge between conflict and hope. He could be standing firmly, with a tool of his trade (like a cobbler’s hammer) in hand, representing his role in rebuilding. Alternatively, you could use a symbolic image, like a cracked but still standing pillar, connecting the top and bottom halves of the cover, representing the city’s endurance. 5. Title and Typogr

CFG Scale

Steps

25

Sampler

euler

Seed

1581245541

Scheduler

Image Size

683 X 1024

Model

SeaArt Infinity

Generate

Size

680X1024

Date

Aug 13, 2024

Mode

Studio

Type

cell

Checkpoint & LoRA

Checkpoint

SeaArt Infinity

#Anime

#SeaArt Infinity

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