In the illustrated scene, the setting is a richly detailed office

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In the illustrated scene
,
the setting is a richly detailed office
,
with dark wooden furniture and tall shelves lined with books
.
The room is decorated with traditional Catholic symbols
,
giving it a solemn and historical feel
.
The floor is polished wood
,
reflecting the warm light coming from an ornate chandelier hanging above
.
At the center of the image
,
the young
,
white European Professor Petterson stands
,
dressed in his signature yellow polo shirt
,
white trousers
,
brown belt
,
and blue sneakers
.
His black hair
,
short and styled in a military cut
,
is slightly disheveled as he looks down at the two students
,
a mixture of worry and embarrassment on his face
.
His well-groomed goatee and the slight dark circles under his eyes add to the seriousness of his expression
.
On the floor in front of Petterson
,
the two students
,
Kauan and Arthur
,
have just tumbled through the door
.
Kauan
,
the 1 blonde with bright green eyes
,
is sprawled awkwardly
,
one arm supporting himself as he tries to get up
.
His classic dark blue uniform with yellow-trimmed edges is slightly rumpled from the fall
.
Beside him
,
Arthur
,
with his spiky black hair and dark brown eyes
,
is also in a similarly disheveled state
,
his uniform mirroring Kauan's
.
Both boys are in mid-motion
,
their expressions a mix of shock and embarrassment
.
Standing near the large desk
,
Pope Pio XIII is captured in a moment of genuine laughter
.
His figure
,
robed in white with a golden stole
,
contrasts with the dark
,
formal setting
.
His face is lit up with amusement
,
eyes twinkling as he watches the two boys scramble on the floor
.
The laughter lines on his face are clearly defined
,
emphasizing his warmth and humor
.
The overall composition of the illustration draws the viewer's eye from the students on the floor
,
up to Petterson's concerned and embarrassed expression
,
and finally to the Pope's hearty laughter
,
creating a dynamic and engaging visual narrative
.
The richness of the setting
,
combined with the character expressi
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