SeaArt AI Enterprise Version

A hyper-realistic horror scene set on a narrow, winding Brazilian highway at

A hyper-realistic horror scene set on a narrow, winding Brazilian highway at night, surrounded by dense forest and tall vegetation. The scene focuses closely on a terrified young woman crawling desperately on the wet, cracked asphalt. Her face is shown in painful detail—eyes wide open in shock and fear, mouth slightly open as if gasping or screaming, her expression frozen in sheer panic. Her messy, tangled hair sticks to her dirt-smeared face, and she's wearing a torn, mud-stained dress. Her outstretched hand reaches directly toward the viewer, as if begging to be saved, pulling the viewer into the scene.

Next to her is a battered backpack, torn and soaked, suggesting she’s been running or hiding for a long time. Behind her, standing ominously in the middle of the road, is a man with a threatening silhouette, partially lit by the headlights of a large, modern, double-decker Brazilian bus. The bus is bright pink, standing out vividly in the darkness, parked on a sharp curve of the narrow road.

The air is thick with fog, and the forest closes in tightly around the road, casting twisted shadows from the trees. The scene is dimly lit with the eerie mix of moonlight and vehicle headlights, creating an intense, cinematic atmosphere. Every element—the woman’s anguished expression, the looming danger behind her, the strange setting—combines to form a haunting, deeply unsettling image meant to grip viewers immediately and leave a lasting impression.
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Bruno Metzker
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A hyper-realistic horror scene set on a narrow , winding Brazilian highway at night , surrounded by dense forest and tall vegetation . The scene focuses closely on a terrified young woman crawling desperately on the wet , cracked asphalt . Her face is shown in painful detail—eyes wide open in shock and fear , mouth slightly open as if gasping or screaming , her expression frozen in sheer panic . Her messy , tangled hair sticks to her dirt-smeared face , and she's wearing a torn , mud-stained dress . Her outstretched hand reaches directly toward the viewer , as if begging to be saved , pulling the viewer into the scene . Next to her is a battered backpack , torn and soaked , suggesting she’s been running or hiding for a long time . Behind her , standing ominously in the middle of the road , is a man with a threatening silhouette , partially lit by the headlights of a large , modern , double-decker Brazilian bus . The bus is bright pink , standing out vividly in the darkness , parked on a sharp curve of the narrow road . The air is thick with fog , and the forest closes in tightly around the road , casting twisted shadows from the trees . The scene is dimly lit with the eerie mix of moonlight and vehicle headlights , creating an intense , cinematic atmosphere . Every element—the woman’s anguished expression , the looming danger behind her , the strange setting—combines to form a haunting , deeply unsettling image meant to grip viewers immediately and leave a lasting impression .
Size
1024X592
Date
Mar 25, 2025
Mode
Studio
Type
cell
Checkpoint & LoRA
SeaArt Infinity
Checkpoint
SeaArt Infinity
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