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King Edric III – 1345 (Age 35) Medium: A tempera or gold leaf on wood panel

King Edric III – 1345 (Age 35)
Medium: A tempera or gold leaf on wood panel, typical of early 14th-century portrait styles. The colors are faded, with minimal details. The face is not fully defined; it's more of a symbolic representation. The facial features are shaded, idealized, and given subtle outlines.
Face and Expression:
The face is not entirely clear, but it shows a strong, resolute expression: slightly shadowed, the features are not sharply defined. It's typically done with shading and golden/greenish tones to form the face. His eyes are calm, and his expression is cool, conveying internal strength.
The portrait is meant to symbolize the power and authority of the king rather than connect with the common people. The king is portrayed as a distant and imposing figure.
Clothing and Fabrics:
He wears a simple dark purple or navy woolen robe, embroidered minimally with gold thread. The robe is plain but elegant, reflecting the era’s minimalist royal fashion.
Thin lacework on the shoulders and collar adds a touch of refinement, but the embroidery is often basic and symbolic.
Armor and tunic: Beneath the robe, he would wear a gray or brown leather tunic with a simple leather belt—more focused on functionality than opulence.
Crown and Accessories:
He wears a simple gold circlet, modestly adorned with small green stones and simple gold craftsmanship.
Jewelry is rare: possibly a carved signet ring or a short chain with a royal emblem. Jewelry often symbolizes internal power, nobility, and faith.
Background:
The background shows plain, dark stone walls with traditional royal symbols. There is no throne, no sense of grandeur.
The king is depicted with only a simple crown and cloak, his royalty represented solely through symbolism. The portrait would focus more on the presence and authority of the king than on visual wealth.
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King Edric III – 1345 (Age 35) Medium: A tempera or gold leaf on wood panel , typical of early 14th-century portrait styles . The colors are faded , with minimal details . The face is not fully defined ; it's more of a symbolic representation . The facial features are shaded , idealized , and given subtle outlines . Face and Expression: The face is not entirely clear , but it shows a strong , resolute expression: slightly shadowed , the features are not sharply defined . It's typically done with shading and golden/greenish tones to form the face . His eyes are calm , and his expression is cool , conveying internal strength . The portrait is meant to symbolize the power and authority of the king rather than connect with the common people . The king is portrayed as a distant and imposing figure . Clothing and Fabrics: He wears a simple dark purple or navy woolen robe , embroidered minimally with gold thread . The robe is plain but elegant , reflecting the era’s minimalist royal fashion . Thin lacework on the shoulders and collar adds a touch of refinement , but the embroidery is often basic and symbolic . Armor and tunic: Beneath the robe , he would wear a gray or brown leather tunic with a simple leather belt—more focused on functionality than opulence . Crown and Accessories: He wears a simple gold circlet , modestly adorned with small green stones and simple gold craftsmanship . Jewelry is rare: possibly a carved signet ring or a short chain with a royal emblem . Jewelry often symbolizes internal power , nobility , and faith . Background: The background shows plain , dark stone walls with traditional royal symbols . There is no throne , no sense of grandeur . The king is depicted with only a simple crown and cloak , his royalty represented solely through symbolism . The portrait would focus more on the presence and authority of the king than on visual wealth .
Size
1024X1024
Date
Apr 12, 2025
Mode
Studio
Type
cell
Checkpoint & LoRA
SeaArt Infinity
Checkpoint
SeaArt Infinity
#Character
#Art
#model westernrealism
#SeaArt Infinity
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