The picture is filled with ink and wash. The misty brushstrokes are used as the

$The picture is filled with ink and wash. The misty brushstrokes are used as the base， The delicate texture of modern illustrations is incorporated。 A bright full moon hangs in the deep blue night， The moonlight pours down like a veil in the ancient courtyard， The bluestone steps meander to the octagonal pavilion， The copper bells hanging from the eaves sway gently in the night breeze， The shadows of the ink-colored bamboos sway gracefully。 The sandalwood tea table in the pavilion exudes a warm luster， The celadon tea sets are arranged in an orderly manner， The tea mist rising from the spout of the pot turns into cranes with ink texture， and the real cranes circling outside the pavilion are reflected in reality。 Four women in Tang-style skirts sit around and drink tea， The sleeves use the illustration-style gradient smudge technique - the wide sleeves that gradually change from moon white to dark blue are decorated with gold-lined epiphyllum patterns， The beads hanging from the hairpins refract the light with the movement。 The background uses ink and wash" Ink-splashing and rubbing" The technique expresses the outline of the mountains， The mountain stream waterfall cascades down with silver foil-textured brushstrokes， The moon reflected on the water surface is broken into sparkling waves by the swimming fish。 The fine-brush magnolia branches extend from the upper left corner of the picture， The edges of the petals are shone with a light blue halo of moonlight， The falling petals form a visual echo with the teacup held by the fingertips of the woman in the pavilion。 The arch bridge half hidden in the mist is outlined in the lower right corner with dry brush and burnt ink， The lanterns at the bridgehead emit a warm orange glow， The color contrasts with the cold moonlight。 The overall composition adopts the style of traditional landscape painting"Three-Distance Method"， The tea table in the foreground is exquisitely detailed， The bamboo forest in the mid-ground has distinct layers， The distant mountains are hidden in the blank space， The virtual and the real create an ethereal artistic conception。$

The picture is filled with ink and wash. The misty brushstrokes are used as the base， The delicate texture of modern illustrations is incorporated。 A bright full moon hangs in the deep blue night， The moonlight pours down like a veil in the ancient courtyard， The bluestone steps meander to the octagonal pavilion， The copper bells hanging from the eaves sway gently in the night breeze， The shadows of the ink-colored bamboos sway gracefully。 The sandalwood tea table in the pavilion exudes a warm luster， The celadon tea sets are arranged in an orderly manner， The tea mist rising from the spout of the pot turns into cranes with ink texture， and the real cranes circling outside the pavilion are reflected in reality。 Four women in Tang-style skirts sit around and drink tea， The sleeves use the illustration-style gradient smudge technique - the wide sleeves that gradually change from moon white to dark blue are decorated with gold-lined epiphyllum patterns， The beads hanging from the hairpins refract the light with the movement。 The background uses ink and wash" Ink-splashing and rubbing" The technique expresses the outline of the mountains， The mountain stream waterfall cascades down with silver foil-textured brushstrokes， The moon reflected on the water surface is broken into sparkling waves by the swimming fish。 The fine-brush magnolia branches extend from the upper left corner of the picture， The edges of the petals are shone with a light blue halo of moonlight， The falling petals form a visual echo with the teacup held by the fingertips of the woman in the pavilion。 The arch bridge half hidden in the mist is outlined in the lower right corner with dry brush and burnt ink， The lanterns at the bridgehead emit a warm orange glow， The color contrasts with the cold moonlight。 The overall composition adopts the style of traditional landscape painting"Three-Distance Method"， The tea table in the foreground is exquisitely detailed， The bamboo forest in the mid-ground has distinct layers， The distant mountains are hidden in the blank space， The virtual and the real create an ethereal artistic conception。

The picture is filled with ink and wash . The misty brushstrokes are used as the base ， The delicate texture of modern illustrations is incorporated 。 A bright full moon hangs in the deep blue night ， The moonlight pours down like a veil in the ancient courtyard ， The bluestone steps meander to the octagonal pavilion ， The copper bells hanging from the eaves sway gently in the night breeze ， The shadows of the ink-colored bamboos sway gracefully 。 The sandalwood tea table in the pavilion exudes a warm luster ， The celadon tea sets are arranged in an orderly manner ， The tea mist rising from the spout of the pot turns into cranes with ink texture ， and the real cranes circling outside the pavilion are reflected in reality 。 Four women in Tang-style skirts sit around and drink tea ， The sleeves use the illustration-style gradient smudge technique - the wide sleeves that gradually change from moon white to dark blue are decorated with gold-lined epiphyllum patterns ， The beads hanging from the hairpins refract the light with the movement 。 The background uses ink and wash" Ink-splashing and rubbing" The technique expresses the outline of the mountains ， The mountain stream waterfall cascades down with silver foil-textured brushstrokes ， The moon reflected on the water surface is broken into sparkling waves by the swimming fish 。 The fine-brush magnolia branches extend from the upper left corner of the picture ， The edges of the petals are shone with a light blue halo of moonlight ， The falling petals form a visual echo with the teacup held by the fingertips of the woman in the pavilion 。 The arch bridge half hidden in the mist is outlined in the lower right corner with dry brush and burnt ink ， The lanterns at the bridgehead emit a warm orange glow ， The color contrasts with the cold moonlight 。 The overall composition adopts the style of traditional landscape painting"Three-Distance Method" ， The tea table in the foreground is exquisitely detailed ， The bamboo forest in the mid-ground has distinct layers ， The distant mountains are hidden in the blank space ， The virtual and the real create an ethereal artistic conception 。

Info

Taille

1152X1536

Date

Feb 6, 2025

Mode

Studio

Type

cell

Checkpoint & LoRA

SeaArt Infinity

SeaArt Infinity

(Flux) Chinese style fluorescent white snake lady illustration - 国风荧光白蛇仕女插画

(Flux) Chinese style fluorescent white snake lady illustration - 国风荧光白蛇仕女插画

Flux Great beauty vector illustration - 极大美女矢量插画

Flux Great beauty vector illustration - 极大美女矢量插画

Photography Chinese painting characters- 摄影国画人物

Photography Chinese painting characters- 摄影国画人物

Flux chinese style fluid ink style - 国风流体水墨风格

Flux chinese style fluid ink style - 国风流体水墨风格

Gold foil ancient ink painting style- 金箔古风水墨绘画风格

Gold foil ancient ink painting style- 金箔古风水墨绘画风格

#Réalisme occidental

#SeaArt Infinity

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