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A sepia-toned anatomical drawing, reminiscent of Leonardo da Vinci

A sepia-toned anatomical drawing, reminiscent of Leonardo da Vinci's Vitruvian Man, is centered within a rectangular frame with a rough, textured border. The figure stands with arms extended outward, legs apart, and slightly turned to the right, forming a T-shape within the circular boundary. The human anatomy is intricately detailed with fine lines, showcasing muscles, skeletal structure, and other anatomical features. The man has curly hair and a serious expression, facing slightly forward. A large circular line encloses the entire figure, intersecting with a geometric square grid that divides the body into sections, creating a harmonious blend of art and science. Handwritten text in an old-style script fills the top and bottom sections of the image, written in a dark brown ink on the aged parchment-like background. The text is dense and difficult to decipher, consisting of multiple lines arranged in a curved formation. At the bottom center, there is a smaller handwritten inscription: 'tomato eplormo melo (a) in fina plex' in a cursive script. The overall effect is scholarly and historical, with a balanced exposure and moderate contrast, creating a documentary-style representation typical of Renaissance illustrations. The color palette consists of muted beige, brown, and dark brown tones, contributing to the vintage appearance and historical feel of the image.
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A sepia-toned anatomical drawing, reminiscent of Leonardo da Vinci's Vitruvian Man, is centered within a rectangular frame with a rough, textured border. The figure stands with arms extended outward, legs apart, and slightly turned to the right, forming a T-shape within the circular boundary. The human anatomy is intricately detailed with fine lines, showcasing muscles, skeletal structure, and other anatomical features. The man has curly hair and a serious expression, facing slightly forward. A large circular line encloses the entire figure, intersecting with a geometric square grid that divides the body into sections, creating a harmonious blend of art and science. Handwritten text in an old-style script fills the top and bottom sections of the image, written in a dark brown ink on the aged parchment-like background. The text is dense and difficult to decipher, consisting of multiple lines arranged in a curved formation. At the bottom center, there is a smaller handwritten inscription: 'tomato eplormo melo (a) in fina plex' in a cursive script. The overall effect is scholarly and historical, with a balanced exposure and moderate contrast, creating a documentary-style representation typical of Renaissance illustrations. The color palette consists of muted beige, brown, and dark brown tones, contributing to the vintage appearance and historical feel of the image.

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Jazon Luiz
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A sepia-toned anatomical drawing , reminiscent of Leonardo da Vinci's Vitruvian Man , is centered within a rectangular frame with a rough , textured border . The figure stands with arms extended outward , legs apart , and slightly turned to the right , forming a T-shape within the circular boundary . The human anatomy is intricately detailed with fine lines , showcasing muscles , skeletal structure , and other anatomical features . The man has curly hair and a serious expression , facing slightly forward . A large circular line encloses the entire figure , intersecting with a geometric square grid that divides the body into sections , creating a harmonious blend of art and science . Handwritten text in an old-style script fills the top and bottom sections of the image , written in a dark brown ink on the aged parchment-like background . The text is dense and difficult to decipher , consisting of multiple lines arranged in a curved formation . At the bottom center , there is a smaller handwritten inscription: 'tomato eplormo melo (a) in fina plex' in a cursive script . The overall effect is scholarly and historical , with a balanced exposure and moderate contrast , creating a documentary-style representation typical of Renaissance illustrations . The color palette consists of muted beige , brown , and dark brown tones , contributing to the vintage appearance and historical feel of the image .
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A sepia-toned anatomical drawing, reminiscent of Leonardo da Vinci's Vitruvian Man, is centered within a rectangular frame with a rough, textured border. The figure stands with arms extended outward, legs apart, and slightly turned to the right, forming a T-shape within the circular boundary. The human anatomy is intricately detailed with fine lines, showcasing muscles, skeletal structure, and other anatomical features. The man has curly hair and a serious expression, facing slightly forward. A large circular line encloses the entire figure, intersecting with a geometric square grid that divides the body into sections, creating a harmonious blend of art and science. Handwritten text in an old-style script fills the top and bottom sections of the image, written in a dark brown ink on the aged parchment-like background. The text is dense and difficult to decipher, consisting of multiple lines arranged in a curved formation. At the bottom center, there is a smaller handwritten inscription: 'tomato eplormo melo (a) in fina plex' in a cursive script. The overall effect is scholarly and historical, with a balanced exposure and moderate contrast, creating a documentary-style representation typical of Renaissance illustrations. The color palette consists of muted beige, brown, and dark brown tones, contributing to the vintage appearance and historical feel of the image.
CFG Scale
6
Шаги
25
Сборщик
euler
Зерно
1733155231
Диспетчер
karras
Размер изображения
688 X 1024
Модель
SeaArt Infinity
Генерировать
Размер
688X1024
Дата
Aug 25, 2024
Режим
Студия
Тип
cell
Checkpoint & LoRA
SeaArt Infinity
Checkpoint
SeaArt Infinity
#Эпические персонажи
#SeaArt Infinity
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