A close up of a painting of a creature in a room

The Anthropophagic Manifesto and the Pau-Brasil Poetry Manifesto are both landmarks of the twentieth-century Brazilian modernist movement. The Anthropophagic Manifesto, escrito por Oswald de Andrade em 1928, proposes a "devouring" and assimilation of foreign influences by Brazilian culture, Taking inspiration from the metaphor of cannibalism. The Manifesto of Pau-Brasil Poetry, de 1924, also by Oswald, advocates a poetry that reflects the essence and diversity of Brazilian culture, assimilando elementos da natureza e da vida cotidiana. Both seek an authentically Brazilian artistic and cultural identity, but with different approaches and metaphors.

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