A sepia-toned anatomical drawing, reminiscent of Leonardo da Vinci

A sepia-toned anatomical drawing, reminiscent of Leonardo da Vinci's Vitruvian Man, is centered within a rectangular frame with a rough, textured border. The figure stands with arms extended outward, legs apart, and slightly turned to the right, forming a T-shape within the circular boundary. The human anatomy is intricately detailed with fine lines, showcasing muscles, skeletal structure, and other anatomical features. The man has curly hair and a serious expression, facing slightly forward. A large circular line encloses the entire figure, intersecting with a geometric square grid that divides the body into sections, creating a harmonious blend of art and science. Handwritten text in an old-style script fills the top and bottom sections of the image, written in a dark brown ink on the aged parchment-like background. The text is dense and difficult to decipher, consisting of multiple lines arranged in a curved formation. At the bottom center, there is a smaller handwritten inscription: 'tomato eplormo melo (a) in fina plex' in a cursive script. The overall effect is scholarly and historical, with a balanced exposure and moderate contrast, creating a documentary-style representation typical of Renaissance illustrations. The color palette consists of muted beige, brown, and dark brown tones, contributing to the vintage appearance and historical feel of the image.