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Three college friends captured in a gritty, gallery-style portrait that channels a strong mid-90s aesthetic. On the left, a rebellious young woman stands confidently, a cigar tucked between her lips. She is white, wears a stylish, oversized cap tilted to the side, retro round sunglasses, and loose streetwear typical of the era. On the right stands an African-American guy with long, braided hair, dressed in distressed denim, flashing classic gangster hand signs. He exudes a laid-back yet bold energy. In the center sits a clean-cut white guy—ironically dressed in stiff, formal attire—perched nonchalantly on a worn-out toilet seat. The backdrop features a crumbling wall with aged, cracked tiles and signs of urban decay.
The central trio is framed by a torn paper effect, giving the image a raw, collage-like texture. Surrounding the main scene, the rest of the composition is filled with a chaotic mix of old-school pamphlets, zines, and vintage posters in vibrant hues of blue, yellow, and red. The entire image gives off an underground, rebellious vibe—like a snapshot pulled from the pages of a grunge-era zine, curated for an art gallery wall.
Three college friends captured in a gritty, gallery-style portrait that channels a strong mid-90s aesthetic. On the left, a rebellious young woman stands confidently, a cigar tucked between her lips. She is white, wears a stylish, oversized cap tilted to the side, retro round sunglasses, and loose streetwear typical of the era. On the right stands an African-American guy with long, braided hair, dressed in distressed denim, flashing classic gangster hand signs. He exudes a laid-back yet bold energy. In the center sits a clean-cut white guy—ironically dressed in stiff, formal attire—perched nonchalantly on a worn-out toilet seat. The backdrop features a crumbling wall with aged, cracked tiles and signs of urban decay.
The central trio is framed by a torn paper effect, giving the image a raw, collage-like texture. Surrounding the main scene, the rest of the composition is filled with a chaotic mix of old-school pamphlets, zines, and vintage posters in vibrant hues of blue, yellow, and red. The entire image gives off an underground, rebellious vibe—like a snapshot pulled from the pages of a grunge-era zine, curated for an art gallery wall.
Three college friends captured in a gritty, gallery-style portrait that channels a strong mid-90s aesthetic. On the left, a rebellious young woman stands confidently, a cigar tucked between her lips. She is white, wears a stylish, oversized cap tilted to the side, retro round sunglasses, and loose streetwear typical of the era. On the right stands an African-American guy with long, braided hair, dressed in distressed denim, flashing classic gangster hand signs. He exudes a laid-back yet bold energy. In the center sits a clean-cut white guy—ironically dressed in stiff, formal attire—perched nonchalantly on a worn-out toilet seat. The backdrop features a crumbling wall with aged, cracked tiles and signs of urban decay.
The central trio is framed by a torn paper effect, giving the image a raw, collage-like texture. Surrounding the main scene, the rest of the composition is filled with a chaotic mix of old-school pamphlets, zines, and vintage posters in vibrant hues of blue, yellow, and red. The entire image gives off an underground, rebellious vibe—like a snapshot pulled from the pages of a grunge-era zine, curated for an art gallery wall.
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    Three college friends captured in a gritty, gallery-style portrait that channels a strong mid-90s aesthetic. On the left, a rebellious young woman stands confidently, a cigar tucked between her lips. She is white, wears a stylish, oversized cap tilted to the side, retro round sunglasses, and loose streetwear typical of the era. On the right stands an African-American guy with long, braided hair, dressed in distressed denim, flashing classic gangster hand signs. He exudes a laid-back yet bold energy. In the center sits a clean-cut white guy—ironically dressed in stiff, formal attire—perched nonchalantly on a worn-out toilet seat. The backdrop features a crumbling wall with aged, cracked tiles and signs of urban decay. The central trio is framed by a torn paper effect, giving the image a raw, collage-like texture. Surrounding the main scene, the rest of the composition is filled with a chaotic mix of old-school pamphlets, zines, and vintage posters in vibrant hues of blue, yellow, and red. The entire image gives off an underground, rebellious vibe—like a snapshot pulled from the pages of a grunge-era zine, curated for an art gallery wall.
    尺寸
    1024X768
    日期
    Apr 10, 2025
    模式
    實驗室
    類型
    cell
    模型
    SeaArt Infinity

    Gallery-style image featuring three college friends in mid-90s fashion

    In the center frame: On the left, a bold young woman stands with a lit cigar in her mouth, wearing an oversized stylistic cap tilted sideways and retro round sunglasses. Her look channels rebellious 90s street energy. On the right, a chill African-American guy with long braided hair sports tattered denim and throws up a classic gangster hand sign, oozing confidence and swagger. Seated in the center, a pale-skinned white guy dressed in stiff formal wear (dress shirt, tie, and slacks) sits nonchalantly on an old, slightly grimy toilet seat (komode), contrasting the urban decay around him. Behind them, the wall is aged and gritty—cracked tiles, faded paint, and signs of neglect, evoking an authentic 90s backroom vibe. Outside the torn-paper middle frame: The rest of the image is a vibrant collage of moving, vibey old-school pamphlets and retro posters, layered like street art plastered on city walls. The color palette pops with worn-out reds, yellows, and blues, heavily textured and slightly faded, giving a raw analog energy—think punk flyers, zines, and grunge gig posters. The overall aesthetic is expressive, nostalgic, and chaotic, like a piece from a rebellious underground art exhibit.
    2025-04-10 10:27:58
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