(epic:1.3), (In the port of Amsterdam There are ((sailors who eat

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(epic:1.3), (In the port of Amsterdam There are ((sailors who eat)), On too (white tablecloths), Dripping fishes, They show you teeth to bite into fortune, To wane the moon, To gobble up shrouds, And it smells of cod even in the heart of the fries That their (big hands) invite To come back in extra Then (get up) while (laughing) In a sound of tempest shut their flies again And go out while (belching) ), 1931, masterpiece, (photo), (Leitz Leica II), (pathe film), ((((cinematic)))), dark fantasy, ultra realistic highly detailed intricate photorealistic analog style action photograph, sharp focus on eyes, detailed faces, skin pores, (dramatic lighting), by (Henri de Toulouse-Lautrec) and by Dorothea Lange and by Jeffrey Catherine Jones and by Louise Catherine Breslau and by (alphonse mucha:0.7) and by (egon schiele:0.5) and by Eugene Delacroix and by Gottfried Helnwein, socialist realism, (filth:1.3), (smoke), (grunge:1.3), (nordic fat), ((middle aged)), 40yo, unshaven, (sweat), (greasy surfaces), ((inside a vintage seamen's pub and dancing)), ((late night)), dramatic lighting, (1964 clothing), (1960s choreography), (drunk), batavian, tired, singing,
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(epic:1.3), (In the port of Amsterdam There are ((sailors who eat)), On too (white tablecloths), Dripping fishes, They show you teeth to bite into fortune, To wane the moon, To gobble up shrouds, And it smells of cod even in the heart of the fries That their (big hands) invite To come back in extra Then (get up) while (laughing) In a sound of tempest shut their flies again And go out while (belching) ), 1931, masterpiece, (photo), (Leitz Leica II), (pathe film), ((((cinematic)))), dark fantasy, ultra realistic highly detailed intricate photorealistic analog style action photograph, sharp focus on eyes, detailed faces, skin pores, (dramatic lighting), by (Henri de Toulouse-Lautrec) and by Dorothea Lange and by Jeffrey Catherine Jones and by Louise Catherine Breslau and by (alphonse mucha:0.7) and by (egon schiele:0.5) and by Eugene Delacroix and by Gottfried Helnwein, socialist realism, (filth:1.3), (smoke), (grunge:1.3), (nordic fat), ((middle aged)), 40yo, unshaven, (sweat), (greasy surfaces), ((inside a vintage seamen's pub and dancing)), ((late night)), dramatic lighting, (1964 clothing), (1960s choreography), (drunk), batavian, tired, singing,
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Checkpoint & LoRA
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Checkpoint
2DN
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