Tonight’s show was bigger than anything de Saint Sernin has done at home in Pari

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Tonight’s show was bigger than anything de Saint Sernin has done at home in Paris, where he’s shown (mostly on the men’s calendar, but sometimes on the women’s) since 2017; he’s a poster boy for a new kind of queer fashion that puts people of all genders in spangly tanks and briefs, hip-slung jeans with eyelet-laced flies, and sexy, body-bearing clubwear. What brought him to New York was a collaboration with the Robert Mapplethorpe Foundation. De Saint Sernin read Patti Smith’s National Book Award-winning memoir of her relationship with the groundbreaking photographer, Just Kids, in his twenties, and credits the book with not just his self-discovery but also the genesis of his brand. “I relate to him on both a personal and artistic level, so this is kind of a pinnacle,” he said backstage. NEVER MISS A VOGUE MOMENT Subscribe to Vogue and get the limited-edition tote SUBSCRIBE NOW It was important to de Saint Sernin to address the breadth of Mapplethorpe’s range, from the flower photography to his controversy-stirring chronicling of the gay BDSM scene. In the process he could flex his own, opening with sheer organdy tees fused with hand-cut velvet flowers and jeans and moving into crystal versions of the flowers on a chainmail dress and a couple of skimpy one-shoulder and halterneck tops. “We start the show with something very innocent, very pure, and focused on Mapplethorpe’s work,” he said. From there, it moved on to a reimagining of New York office wear of the 1970s and ’80s, with leather trenches and bombers, and eyelet-fly leather pants worn with a white button-down and bright red tie, not unlike one that the photographer wore in an iconic self-portrait. Less innocent, but tamer than what the designer closed with. “As this is a story of discovering identity, it goes darker and darker into full-on sex and nightlife and club life,” de Saint Sernin said. “Mapplethorpe had the audacity to share his fantasy with the world and I think that’s really powerful, because

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Tonight’s show was bigger than anything de Saint Sernin has done at home in Paris , where he’s shown (mostly on the men’s calendar , but sometimes on the women’s) since 2017 ; he’s a poster boy for a new kind of queer fashion that puts people of all genders in spangly tanks and briefs , hip-slung jeans with eyelet-laced flies , and sexy , body-bearing clubwear . What brought him to New York was a collaboration with the Robert Mapplethorpe Foundation . De Saint Sernin read Patti Smith’s National Book Award-winning memoir of her relationship with the groundbreaking photographer , Just Kids , in his twenties , and credits the book with not just his self-discovery but also the genesis of his brand . “I relate to him on both a personal and artistic level , so this is kind of a pinnacle , ” he said backstage . NEVER MISS A VOGUE MOMENT Subscribe to Vogue and get the limited-edition tote SUBSCRIBE NOW It was important to de Saint Sernin to address the breadth of Mapplethorpe’s range , from the flower photography to his controversy-stirring chronicling of the gay BDSM scene . In the process he could flex his own , opening with sheer organdy tees fused with hand-cut velvet flowers and jeans and moving into crystal versions of the flowers on a chainmail dress and a couple of skimpy one-shoulder and halterneck tops . “We start the show with something very innocent , very pure , and focused on Mapplethorpe’s work , ” he said . From there , it moved on to a reimagining of New York office wear of the 1970s and ’80s , with leather trenches and bombers , and eyelet-fly leather pants worn with a white button-down and bright red tie , not unlike one that the photographer wore in an iconic self-portrait . Less innocent , but tamer than what the designer closed with . “As this is a story of discovering identity , it goes darker and darker into full-on sex and nightlife and club life , ” de Saint Sernin said . “Mapplethorpe had the audacity to share his fantasy with the world and I think that’s really powerful , because

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Tonight’s show was bigger than anything de Saint Sernin has done at home in Paris, where he’s shown (mostly on the men’s calendar, but sometimes on the women’s) since 2017; he’s a poster boy for a new kind of queer fashion that puts people of all genders in spangly tanks and briefs, hip-slung jeans with eyelet-laced flies, and sexy, body-bearing clubwear. What brought him to New York was a collaboration with the Robert Mapplethorpe Foundation. De Saint Sernin read Patti Smith’s National Book Award-winning memoir of her relationship with the groundbreaking photographer, Just Kids, in his twenties, and credits the book with not just his self-discovery but also the genesis of his brand. “I relate to him on both a personal and artistic level, so this is kind of a pinnacle,” he said backstage. NEVER MISS A VOGUE MOMENT Subscribe to Vogue and get the limited-edition tote SUBSCRIBE NOW It was important to de Saint Sernin to address the breadth of Mapplethorpe’s range, from the flower photography to his controversy-stirring chronicling of the gay BDSM scene. In the process he could flex his own, opening with sheer organdy tees fused with hand-cut velvet flowers and jeans and moving into crystal versions of the flowers on a chainmail dress and a couple of skimpy one-shoulder and halterneck tops. “We start the show with something very innocent, very pure, and focused on Mapplethorpe’s work,” he said. From there, it moved on to a reimagining of New York office wear of the 1970s and ’80s, with leather trenches and bombers, and eyelet-fly leather pants worn with a white button-down and bright red tie, not unlike one that the photographer wore in an iconic self-portrait. Less innocent, but tamer than what the designer closed with. “As this is a story of discovering identity, it goes darker and darker into full-on sex and nightlife and club life,” de Saint Sernin said. “Mapplethorpe had the audacity to share his fantasy with the world and I think that’s really powerful, because

CFG-Scale

Schritte

25

Sammler

euler

Seed

3939205901

Scheduler

Bildgröße

688 X 1024

Modell

SeaArt Infinity

Erstellen

Größe

688X1024

Datum

Aug 16, 2024

Modell

Studio

Typ

cell

Checkpoint & LoRA

Checkpoint

SeaArt Infinity

#Realistisch

#Fotografie

#Kleidung

#Produktdesign

#SeaArt Infinity

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