Man glamor shot (close up: 0.9) from the side of a sad topless 35 year old man l

man glamor shot (close up: 0.9) from the side of a sad topless 35 year old man leaning against a window at the end of the world, masterpiece, best quality, dslr, 8k, 4k, ultra realistic, realistic, ray traced, underground scattering, volumetric light, 1 man, wet, in transparent red underwear, epic, apocalypse, abandoned, night, film grain, (intricate details), (intricate details, hyperdetailed: 1.2), art station , cinematic shot, vignette, dark theme, complex background, construction, from below, dynamic pose, single pose,(intricate details, hyperdetailed: 1.2), art station, plan cinematic, vignette, dark theme, complex background, from below, dynamic pose, unique pose, Ultra detailed portrait , model, photographed by famous photographer on CANON 5D MARK, detailed skin with all the rough details — ar 4: 6 --q 2 --s 750 --v 58k, 4k, ultra-realistic, realistic, traced ray, scattering, volumetric light, 1 man, wet, in transparent underwear, epic, abandoned, night, film grain, (intricate detail),The sad man is sitting by the sea in complete darkness and appears alone among the folds of darkness. He appears filled with sadness and pain, as his eyes do not seem to contain a single drop of joy. Dressed in underwear and transparent that surprise with their strange and interesting beauty. The sad soul lies on his face and expresses the deep pain that afflicts him. This is reflected in his lost perspective and difficult passage through life. His chiseled stature and the expanse of his lifeless hands reveal the sadness that resides in his heart. The choppy waters, at this specific moment, seem to be a symbol of the internal storms he is experiencing. The waves dance violently and conflict with the sad boy's feelings. In this case, the full moon, which still shines in the night sky despite the darkness surrounding it, adds a hidden hope and a little light to your face, which is drowned in sadness. The image carries a spirit of sadness, loneliness and grief, and forces us to thi