No primeiro manifesto futurista de 1909, o slogan era Words on the loose

No primeiro manifesto futurista de 1909, o slogan era Words on the loose ("The words in freedom") and took into account the typographic design of the time, especially in newspapers and advertising. They abandoned any distinction between art and design and embraced advertising as a form of communication.. It was a moment of playful exploration, of the vernacular language, breaking hierarchy in traditional typography, with a predilection for the use of onomatopoeia. These explorations had great repercussions on Dadaism, in concretism, a modern typography, and postmodern graphic design. Originated in France, its main themes are colors. Painting edit Futurism painting was explained by cubism and abstraction, but the use of bright colors and contrasts and the overlapping of images was intended to give the idea of dynamics, deformation and non-materialization that objects and space undergo when the action occurs. These are works of visual art aligned with the Futurist Manifesto, obra escrita pelo poeta italiano Filippo Marinetti no ano de 1909.[1] Marinetti believed that art should keep up with the times, glorify the future and idolize machines - the main symbol of the future.[2] For futurism artists, objects are not concluded in the apparent contour and their aspects continually interpenetrate at the same time.. This style seeks to express the current movement, recording the speed described by figures moving in space. The futuristic artist is not interested in painting an automobile, but capture the plastic form the speed described by him in space. Its main representatives were the Italian painters and sculptors Giacomo Balla, Umberto Boccioni, Carlo Carrá and Luigi Russolo, who launched a manifesto at the Chiasella theater in Turin, on March 8, 1910. Using this as a basis for the art of the European avant-garde of Futurism, create an image with these compositions mentioned

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