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LTX2.3-Audio-video generation

LTX-2.3 is an open-source audio-video foundation model released by Lightricks. Its core feature is not simply generating video alone or producing video first and adding audio later. Instead, it places both video and audio within a single generation framework, directly producing synchronized visuals and sound. Officially, it is described as a DiT-based audio-video foundation model, meaning a joint audio-video generation model built on Diffusion Transformer architecture.Compared with many traditional video generation approaches, the biggest difference of LTX-2.3 is its native audio-visual synchronization. If a prompt includes speaking, singing, ambient sound, or rhythmic motion, the model attempts to align lip movements, actions, and sound within a single generation process, rather than relying on post-processing to dub audio or correct lip sync afterward. This makes it especially valuable for dialogue videos, character singing, and short narrative scenes.

LTX2.3-Audio-video generation

5.0

LTX-2.3 is an open-source audio-video foundation model released by Lightricks. Its core feature is not simply generating video alone or producing video first and adding audio later. Instead, it places both video and audio within a single generation framework, directly producing synchronized visuals and sound. Officially, it is described as a DiT-based audio-video foundation model, meaning a joint audio-video generation model built on Diffusion Transformer architecture.Compared with many traditional video generation approaches, the biggest difference of LTX-2.3 is its native audio-visual synchronization. If a prompt includes speaking, singing, ambient sound, or rhythmic motion, the model attempts to align lip movements, actions, and sound within a single generation process, rather than relying on post-processing to dub audio or correct lip sync afterward. This makes it especially valuable for dialogue videos, character singing, and short narrative scenes.
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Flux.2 Pro&Flex

This workflow is providing access to two distinct versions: FLUX.2 Pro and FLUX.2 Flex. You can switch between them based on your specific needs for image precision and cost efficiency.🧩 Versions & Capabilities1. FLUX.2 ProCapabilities: Capable of generating high-quality images. Ideal for most standard creative tasks, style exploration, and rapid generation.Pricing (Credits):Text Only: 55 (≤1024px) / 70 (>1024px)Image Input: 80 (≤1024px) / 100 (>1024px)2. FLUX.2 FlexCapabilities: Compared to Pro, Flex excels in handling complex lighting, intricate textures, and adherence to long, complex prompts. It is the premier choice for ultimate image quality, commercial poster output, and high-precision editing tasks.Pricing (Credits):Text Only: 110 (≤1024px) / 140 (>1024px)Image Input: 220 (≤1024px) / 260 (>1024px)

Flux.2 Pro&Flex

4.9

This workflow is providing access to two distinct versions: FLUX.2 Pro and FLUX.2 Flex. You can switch between them based on your specific needs for image precision and cost efficiency.🧩 Versions & Capabilities1. FLUX.2 ProCapabilities: Capable of generating high-quality images. Ideal for most standard creative tasks, style exploration, and rapid generation.Pricing (Credits):Text Only: 55 (≤1024px) / 70 (>1024px)Image Input: 80 (≤1024px) / 100 (>1024px)2. FLUX.2 FlexCapabilities: Compared to Pro, Flex excels in handling complex lighting, intricate textures, and adherence to long, complex prompts. It is the premier choice for ultimate image quality, commercial poster output, and high-precision editing tasks.Pricing (Credits):Text Only: 110 (≤1024px) / 140 (>1024px)Image Input: 220 (≤1024px) / 260 (>1024px)
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Wan Video

Wan2.2 VACE - Multimodal control-KJ

Continue the “unified editing/control” paradigm on the 2.2 backbone. The 2.2 backbone adopts a Mixture‑of‑Experts (MoE) design—high‑noise and low‑noise experts operating at different denoising stages—to improve quality and detail while keeping inference costs manageable. A representative controllable variant is Wan2.2‑VACE‑Fun‑A14B, which supports multi‑modal control conditions (Canny, Depth, OpenPose, MLSD, Trajectory, etc.). A typical workflow is: provide a reference image (to preserve identity/appearance) plus a driving video or its parsed control signals (e.g., pose sequence, trajectory, time‑varying depth/edges) to generate a video driven by that reference image. The VACE/Fun family provides these temporal control interfaces and the unified task support.

Wan2.2 VACE - Multimodal control-KJ

4.7

Continue the “unified editing/control” paradigm on the 2.2 backbone. The 2.2 backbone adopts a Mixture‑of‑Experts (MoE) design—high‑noise and low‑noise experts operating at different denoising stages—to improve quality and detail while keeping inference costs manageable. A representative controllable variant is Wan2.2‑VACE‑Fun‑A14B, which supports multi‑modal control conditions (Canny, Depth, OpenPose, MLSD, Trajectory, etc.). A typical workflow is: provide a reference image (to preserve identity/appearance) plus a driving video or its parsed control signals (e.g., pose sequence, trajectory, time‑varying depth/edges) to generate a video driven by that reference image. The VACE/Fun family provides these temporal control interfaces and the unified task support.
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Wan2.2‑Fun-Inp-KJ

Wan2.2‑Fun‑InP is part of the Wan2.2‑Fun series. It supports conditioning on a start frame and an end frame to estimate the in‑between transition and produce temporally consistent video results for controllable image‑to‑video applications.What it addresses:Traditional image‑to‑video workflows typically extend motion from a single starting image. By adding an optional end keyframe, Fun‑InP helps the motion, composition, and overall content progress toward a specified target, making transitions easier to control and the sequence more coherent.Inputs: start‑frame image, end‑frame image (optional text prompt / control signals).Output: a video clip made up of interpolated middle frames, with the first and last frames visually consistent with the provided keyframes.

Wan2.2‑Fun-Inp-KJ

4.5

Wan2.2‑Fun‑InP is part of the Wan2.2‑Fun series. It supports conditioning on a start frame and an end frame to estimate the in‑between transition and produce temporally consistent video results for controllable image‑to‑video applications.What it addresses:Traditional image‑to‑video workflows typically extend motion from a single starting image. By adding an optional end keyframe, Fun‑InP helps the motion, composition, and overall content progress toward a specified target, making transitions easier to control and the sequence more coherent.Inputs: start‑frame image, end‑frame image (optional text prompt / control signals).Output: a video clip made up of interpolated middle frames, with the first and last frames visually consistent with the provided keyframes.
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Wan2.1 Minimax-Remover - Video erase -KJ

Core Focus: Video-level object removal. Given a sequence of video frames and a corresponding mask, it seamlessly removes the masked object and fills in the background while maintaining temporal consistency, minimizing artifacts or remnants.Method Highlights:Minimum-Maximum Optimization: Tames bad noise during training and inference, improving the model's robustness to masked regions and reducing the probability of object regeneration.Two-Stage Architecture: First, a simplified DiT (Diffusion Transformer) structure is used to learn the removal capability; then, a version with fewer sampling steps and faster inference is obtained through "CFG de-distillation."Efficiency Features: Extremely low inference steps (approximately 6 steps in the official example), and does not rely on CFG, resulting in high speed and low resource consumption, suitable for long videos/batch processing. References

Wan2.1 Minimax-Remover - Video erase -KJ

3.0

Core Focus: Video-level object removal. Given a sequence of video frames and a corresponding mask, it seamlessly removes the masked object and fills in the background while maintaining temporal consistency, minimizing artifacts or remnants.Method Highlights:Minimum-Maximum Optimization: Tames bad noise during training and inference, improving the model's robustness to masked regions and reducing the probability of object regeneration.Two-Stage Architecture: First, a simplified DiT (Diffusion Transformer) structure is used to learn the removal capability; then, a version with fewer sampling steps and faster inference is obtained through "CFG de-distillation."Efficiency Features: Extremely low inference steps (approximately 6 steps in the official example), and does not rely on CFG, resulting in high speed and low resource consumption, suitable for long videos/batch processing. References
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LongCat-Video extension

🐱 LongCat-Video: Infinite Video Extension Workflow【One-Sentence Intro】Break the duration limit of AI video generation 🚀What Can It Do?This is an advanced workflow based on the **Wan2.1** model, designed to solve the core pain points of AI videos being "too short" and "disjointed when extended."♾️ Infinite Extension Just provide an image or a short video clip, and the workflow will automatically generate subsequent frames like a "relay race," theoretically allowing for infinite generation.Seamless "Invisible" Stitching It automatically trims the awkward beginnings of extended segments, making the transition between clips as smooth as silk, with absolutely no visible stitching marks.【Use Cases】Creating ultra-long looping landscape videos.Producing coherent narrative shorts, no longer limited by the 5-second barrier.

LongCat-Video extension

4.3

🐱 LongCat-Video: Infinite Video Extension Workflow【One-Sentence Intro】Break the duration limit of AI video generation 🚀What Can It Do?This is an advanced workflow based on the **Wan2.1** model, designed to solve the core pain points of AI videos being "too short" and "disjointed when extended."♾️ Infinite Extension Just provide an image or a short video clip, and the workflow will automatically generate subsequent frames like a "relay race," theoretically allowing for infinite generation.Seamless "Invisible" Stitching It automatically trims the awkward beginnings of extended segments, making the transition between clips as smooth as silk, with absolutely no visible stitching marks.【Use Cases】Creating ultra-long looping landscape videos.Producing coherent narrative shorts, no longer limited by the 5-second barrier.
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Nouveau Choix

卓越总部工作流程

This workflow aims to create high-quality images without being a turtle slow. It consists of a USDU acting as a refiner and a chain of detailers. The result is very good quality images with an execution time of less than one minute and thirty seconds. Times range from 1:10 to 1:30 minutes.It is optimized to work with the recommended latent resolutions for Illustrious-XL, which are close to 832x1216. These resolutions avoid long, deformed bodies, elongated faces, broken columns, etc. Don't worry, the workflow refinement leaves the images with tremendous quality.I left a Preview Image from the initial Ksmapler so you can see if your Checkpoint, LoRA, and Prompt are causing problems (if your problem comes from here, it's a problem with your own model configuration, LoRA, and prompt; don't blame the workflow!).If you have questions, suggestions, or want to point out errors, feel free to comment. Oh, and don't forget to post your artwork! :3

卓越总部工作流程

5.0

This workflow aims to create high-quality images without being a turtle slow. It consists of a USDU acting as a refiner and a chain of detailers. The result is very good quality images with an execution time of less than one minute and thirty seconds. Times range from 1:10 to 1:30 minutes.It is optimized to work with the recommended latent resolutions for Illustrious-XL, which are close to 832x1216. These resolutions avoid long, deformed bodies, elongated faces, broken columns, etc. Don't worry, the workflow refinement leaves the images with tremendous quality.I left a Preview Image from the initial Ksmapler so you can see if your Checkpoint, LoRA, and Prompt are causing problems (if your problem comes from here, it's a problem with your own model configuration, LoRA, and prompt; don't blame the workflow!).If you have questions, suggestions, or want to point out errors, feel free to comment. Oh, and don't forget to post your artwork! :3
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Pls win Pls
Événement Challenge
Basique
Génération vidéo
Génération audio
Génération 3D
FLUX
Style
Conception
Photographie
Traitement d’image
Jeux créatifs
Filtre de nœuds
Filtre

Bienvenue dans le Flux de Travail SeaArt AI

Simplifiez votre processus créatif avec les flux de travail de générateur d'art AI de SeaArt, conçus pour répondre aux besoins divers des artistes, designers et créatifs. Des images AI aux vidéos AI, SeaArt AI offre tout ce dont vous avez besoin pour donner vie à votre vision artistique.

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Concevez votre flux de travail selon vos préférences. De la formation avancée LoRA à la génération complexe de Txt2Img, chaque étape est ajustable pour répondre à vos besoins.

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Des Milliers de Flux de Travail pour la Création d'Art AI

Libérez votre vision artistique avec Flux de Travail SeaArt. Accédez à des milliers de flux de travail prédéfinis pour générer facilement de l'art AI sous différents formats tels que Txt2Img, Img2Img et Image en vidéo. Ces flux de travail s'intègrent à des modèles AI puissants comme Flux, SD 3.5, et d'autres options populaires, y compris ControlNet, vous offrant la flexibilité de créer des visuels époustouflants qui correspondent à vos préférences.

Flux de travail personnalisables sur SeaArt AI

Contrôle Total avec des Flux de Travail Personnalisables

Avec Flux de Travail SeaArt, vous avez un contrôle total sur votre processus de génération. Nous offrons des options de personnalisation puissantes qui vous permettent d'adapter les flux de travail à vos besoins spécifiques. Ajustez les paramètres, changez de modèles AI et peaufinez les réglages pour garantir que le résultat final corresponde à votre vision.

FAQs

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Qu'est-ce que le Flux de Travail ComfyUI ?

Le Flux de Travail de SeaArt AI est un outil innovant qui va au-delà des simples prompts textuels. Contrairement aux générateurs d'art AI traditionnels, SeaArt offre un système de flux de travail visuel, où vous pouvez créer des flux de travail personnalisés pour contrôler le processus de génération d'images et de vidéos avec une précision granulaire.

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Quels types d'art AI puis-je générer avec les flux de travail ?

Ces flux de travail vous permettent de créer facilement une large gamme d'art AI, y compris des portraits réalistes, des paysages fantastiques, des personnages d'anime et des créations abstraites. Vous pouvez créer sans effort du texte-en-image, de l'image-en-image et de l'image-en-vidéo, ainsi qu'appliquer des transferts de style, et même générer des modèles 3D.

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Le Flux de Travail ComfyUI convient-il aux débutants ?

Oui ! Avec notre interface conviviale de glisser-déposer et les aperçus en temps réel, le Flux de Travail de SeaArt est accessible aussi bien aux débutants qu'aux utilisateurs avancés, rendant la création d'art AI simple.

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Puis-je personnaliser mon flux de travail ?

Oui. SeaArt AI propose divers paramètres personnalisables qui vous permettent de configurer votre flux de travail selon les besoins spécifiques de votre projet.