A city with a lot of tall buildings and a river

(extremamente detalhado CG unidade 8k papel de parede), (master part), (best quality:1.2), (A high resolution), (illustration:1.1), (Cinematic light:1.1), finamente detalhado, detalhes intrincados, (best illustration), 8K resolution, detalhes intrincados, best quality, Realistic, ultra-detalhado, best ilumination, Melhor sombra, hiper HD, Cryengine, Ultra HD |, (Detailed reflection), sombras detalhadas, (((detalhes intrincados))), liso, ((sombreamento perfeito)), Textura de metal de alta qualidade, metallic luster, Highly detailed illustration, (Meio realista:1.6), (largo_injection:1.2), A futuristic city This verse was written by the apostle Paul when writing to the church in Philippi.

A carta aos Filipenses foi escrita por volta do ano 62-63 d.C. by the apostle Paul while imprisoned in Rome. This is part of the period when Paul was active in establishing and strengthening the early Christian communities.

It is important to understand the historical context of the time the letter was written. The Philippians were facing challenges and persecution because of their faith in Jesus Christ. O imperador romano Nero, known for persecuting Christians, estava no poder. Nesse contexto, Paulo escreve es , Fire explosion in the distance, After the nuclear explosion, Thick smoke rose over the skyscraper , estrada molhada, water puddles, (((Inspiration for ghost action))), vista para a rua, Dynamic camera angle, (zona de guerra), (((high quality detailed ruins))), (profundidade de campo), ((Cinematic lighting)), ((horror)), ((fantasia sombria)), lovecraftiano, cor especial, monotone, vermelho, Salpicos de sangue, (best ilumination), (detalhes hiper intrincados), ((ultra-detalhado)), Unidade 4K, (CG extremamente detalhado:1.2), (8k:1.1), ((landscape view)), art stations, ((Directed by: Sui Ishida, autor：Wenjun Lin, autor：Stefan Morrell •)), dystopian art, arte do apocalipse, ((semi-realista)), (realismo), (Dynamic), (Nixeu_basic2:0.5),

(extremamente detalhado CG unidade 8k papel de parede) , (master part) , (best quality:1 . 2) , (A high resolution) , (illustration:1 . 1) , (Cinematic light:1 . 1) , finamente detalhado , detalhes intrincados , (best illustration) , 8K resolution , detalhes intrincados , best quality , Realistic , ultra-detalhado , best ilumination , Melhor sombra , hiper HD , Cryengine , Ultra HD | , (Detailed reflection) , sombras detalhadas , (((detalhes intrincados))) , liso , ((sombreamento perfeito)) , Textura de metal de alta qualidade , metallic luster , Highly detailed illustration , (Meio realista:1 . 6) , (largo_injection:1 . 2) , A futuristic city This verse was written by the apostle Paul when writing to the church in Philippi . A carta aos Filipenses foi escrita por volta do ano 62-63 d . C . by the apostle Paul while imprisoned in Rome . This is part of the period when Paul was active in establishing and strengthening the early Christian communities . It is important to understand the historical context of the time the letter was written . The Philippians were facing challenges and persecution because of their faith in Jesus Christ . O imperador romano Nero , known for persecuting Christians , estava no poder . Nesse contexto , Paulo escreve es , Fire explosion in the distance , After the nuclear explosion , Thick smoke rose over the skyscraper , estrada molhada , water puddles , (((Inspiration for ghost action))) , vista para a rua , Dynamic camera angle , (zona de guerra) , (((high quality detailed ruins))) , (profundidade de campo) , ((Cinematic lighting)) , ((horror)) , ((fantasia sombria)) , lovecraftiano , cor especial , monotone , vermelho , Salpicos de sangue , (best ilumination) , (detalhes hiper intrincados) , ((ultra-detalhado)) , Unidade 4K , (CG extremamente detalhado:1 . 2) , (8k:1 . 1) , ((landscape view)) , art stations , ((Directed by: Sui Ishida , autor：Wenjun Lin , autor：Stefan Morrell •)) , dystopian art , arte do apocalipse , ((semi-realista)) , (realismo) , (Dynamic) , (Nixeu_basic2:0 . 5) ,

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1536X1536

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Aug 28, 2023

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Checkpoint & LoRA

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