Arafed image of a man in a red suit walking down a hall

A digital painting of a distinguished gentleman, possessing a James Dean gaze with almond eyes, stationed beside a vivacious ginger-haired muchacha cloaked in red, both accentuated against the glossy wooden panels and intricate chandeliers within the regal corridors of the Titanic, hyperrealism, intricate details throughout, natural evening light casting dramatic shadows, textured palette, in the style of Jean Baptiste Monge, Carne Griffiths, and Michael Garmash, giving an ambience of heightened