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LTX2.3-Audio-video generation

LTX-2.3 is an open-source audio-video foundation model released by Lightricks. Its core feature is not simply generating video alone or producing video first and adding audio later. Instead, it places both video and audio within a single generation framework, directly producing synchronized visuals and sound. Officially, it is described as a DiT-based audio-video foundation model, meaning a joint audio-video generation model built on Diffusion Transformer architecture.Compared with many traditional video generation approaches, the biggest difference of LTX-2.3 is its native audio-visual synchronization. If a prompt includes speaking, singing, ambient sound, or rhythmic motion, the model attempts to align lip movements, actions, and sound within a single generation process, rather than relying on post-processing to dub audio or correct lip sync afterward. This makes it especially valuable for dialogue videos, character singing, and short narrative scenes.

LTX2.3-Audio-video generation

5.0

LTX-2.3 is an open-source audio-video foundation model released by Lightricks. Its core feature is not simply generating video alone or producing video first and adding audio later. Instead, it places both video and audio within a single generation framework, directly producing synchronized visuals and sound. Officially, it is described as a DiT-based audio-video foundation model, meaning a joint audio-video generation model built on Diffusion Transformer architecture.Compared with many traditional video generation approaches, the biggest difference of LTX-2.3 is its native audio-visual synchronization. If a prompt includes speaking, singing, ambient sound, or rhythmic motion, the model attempts to align lip movements, actions, and sound within a single generation process, rather than relying on post-processing to dub audio or correct lip sync afterward. This makes it especially valuable for dialogue videos, character singing, and short narrative scenes.
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Flux.2 Pro&Flex

This workflow is providing access to two distinct versions: FLUX.2 Pro and FLUX.2 Flex. You can switch between them based on your specific needs for image precision and cost efficiency.🧩 Versions & Capabilities1. FLUX.2 ProCapabilities: Capable of generating high-quality images. Ideal for most standard creative tasks, style exploration, and rapid generation.Pricing (Credits):Text Only: 55 (≤1024px) / 70 (>1024px)Image Input: 80 (≤1024px) / 100 (>1024px)2. FLUX.2 FlexCapabilities: Compared to Pro, Flex excels in handling complex lighting, intricate textures, and adherence to long, complex prompts. It is the premier choice for ultimate image quality, commercial poster output, and high-precision editing tasks.Pricing (Credits):Text Only: 110 (≤1024px) / 140 (>1024px)Image Input: 220 (≤1024px) / 260 (>1024px)

Flux.2 Pro&Flex

4.9

This workflow is providing access to two distinct versions: FLUX.2 Pro and FLUX.2 Flex. You can switch between them based on your specific needs for image precision and cost efficiency.🧩 Versions & Capabilities1. FLUX.2 ProCapabilities: Capable of generating high-quality images. Ideal for most standard creative tasks, style exploration, and rapid generation.Pricing (Credits):Text Only: 55 (≤1024px) / 70 (>1024px)Image Input: 80 (≤1024px) / 100 (>1024px)2. FLUX.2 FlexCapabilities: Compared to Pro, Flex excels in handling complex lighting, intricate textures, and adherence to long, complex prompts. It is the premier choice for ultimate image quality, commercial poster output, and high-precision editing tasks.Pricing (Credits):Text Only: 110 (≤1024px) / 140 (>1024px)Image Input: 220 (≤1024px) / 260 (>1024px)
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Wan Video

Wan2.2 VACE - Multimodal control-KJ

Continue the “unified editing/control” paradigm on the 2.2 backbone. The 2.2 backbone adopts a Mixture‑of‑Experts (MoE) design—high‑noise and low‑noise experts operating at different denoising stages—to improve quality and detail while keeping inference costs manageable. A representative controllable variant is Wan2.2‑VACE‑Fun‑A14B, which supports multi‑modal control conditions (Canny, Depth, OpenPose, MLSD, Trajectory, etc.). A typical workflow is: provide a reference image (to preserve identity/appearance) plus a driving video or its parsed control signals (e.g., pose sequence, trajectory, time‑varying depth/edges) to generate a video driven by that reference image. The VACE/Fun family provides these temporal control interfaces and the unified task support.

Wan2.2 VACE - Multimodal control-KJ

4.7

Continue the “unified editing/control” paradigm on the 2.2 backbone. The 2.2 backbone adopts a Mixture‑of‑Experts (MoE) design—high‑noise and low‑noise experts operating at different denoising stages—to improve quality and detail while keeping inference costs manageable. A representative controllable variant is Wan2.2‑VACE‑Fun‑A14B, which supports multi‑modal control conditions (Canny, Depth, OpenPose, MLSD, Trajectory, etc.). A typical workflow is: provide a reference image (to preserve identity/appearance) plus a driving video or its parsed control signals (e.g., pose sequence, trajectory, time‑varying depth/edges) to generate a video driven by that reference image. The VACE/Fun family provides these temporal control interfaces and the unified task support.
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Wan2.2‑Fun-Inp-KJ

Wan2.2‑Fun‑InP is part of the Wan2.2‑Fun series. It supports conditioning on a start frame and an end frame to estimate the in‑between transition and produce temporally consistent video results for controllable image‑to‑video applications.What it addresses:Traditional image‑to‑video workflows typically extend motion from a single starting image. By adding an optional end keyframe, Fun‑InP helps the motion, composition, and overall content progress toward a specified target, making transitions easier to control and the sequence more coherent.Inputs: start‑frame image, end‑frame image (optional text prompt / control signals).Output: a video clip made up of interpolated middle frames, with the first and last frames visually consistent with the provided keyframes.

Wan2.2‑Fun-Inp-KJ

4.5

Wan2.2‑Fun‑InP is part of the Wan2.2‑Fun series. It supports conditioning on a start frame and an end frame to estimate the in‑between transition and produce temporally consistent video results for controllable image‑to‑video applications.What it addresses:Traditional image‑to‑video workflows typically extend motion from a single starting image. By adding an optional end keyframe, Fun‑InP helps the motion, composition, and overall content progress toward a specified target, making transitions easier to control and the sequence more coherent.Inputs: start‑frame image, end‑frame image (optional text prompt / control signals).Output: a video clip made up of interpolated middle frames, with the first and last frames visually consistent with the provided keyframes.
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Wan2.1 Minimax-Remover - Video erase -KJ

Core Focus: Video-level object removal. Given a sequence of video frames and a corresponding mask, it seamlessly removes the masked object and fills in the background while maintaining temporal consistency, minimizing artifacts or remnants.Method Highlights:Minimum-Maximum Optimization: Tames bad noise during training and inference, improving the model's robustness to masked regions and reducing the probability of object regeneration.Two-Stage Architecture: First, a simplified DiT (Diffusion Transformer) structure is used to learn the removal capability; then, a version with fewer sampling steps and faster inference is obtained through "CFG de-distillation."Efficiency Features: Extremely low inference steps (approximately 6 steps in the official example), and does not rely on CFG, resulting in high speed and low resource consumption, suitable for long videos/batch processing. References

Wan2.1 Minimax-Remover - Video erase -KJ

3.0

Core Focus: Video-level object removal. Given a sequence of video frames and a corresponding mask, it seamlessly removes the masked object and fills in the background while maintaining temporal consistency, minimizing artifacts or remnants.Method Highlights:Minimum-Maximum Optimization: Tames bad noise during training and inference, improving the model's robustness to masked regions and reducing the probability of object regeneration.Two-Stage Architecture: First, a simplified DiT (Diffusion Transformer) structure is used to learn the removal capability; then, a version with fewer sampling steps and faster inference is obtained through "CFG de-distillation."Efficiency Features: Extremely low inference steps (approximately 6 steps in the official example), and does not rely on CFG, resulting in high speed and low resource consumption, suitable for long videos/batch processing. References
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LongCat-Video extension

🐱 LongCat-Video: Infinite Video Extension Workflow【One-Sentence Intro】Break the duration limit of AI video generation 🚀What Can It Do?This is an advanced workflow based on the **Wan2.1** model, designed to solve the core pain points of AI videos being "too short" and "disjointed when extended."♾️ Infinite Extension Just provide an image or a short video clip, and the workflow will automatically generate subsequent frames like a "relay race," theoretically allowing for infinite generation.Seamless "Invisible" Stitching It automatically trims the awkward beginnings of extended segments, making the transition between clips as smooth as silk, with absolutely no visible stitching marks.【Use Cases】Creating ultra-long looping landscape videos.Producing coherent narrative shorts, no longer limited by the 5-second barrier.

LongCat-Video extension

4.3

🐱 LongCat-Video: Infinite Video Extension Workflow【One-Sentence Intro】Break the duration limit of AI video generation 🚀What Can It Do?This is an advanced workflow based on the **Wan2.1** model, designed to solve the core pain points of AI videos being "too short" and "disjointed when extended."♾️ Infinite Extension Just provide an image or a short video clip, and the workflow will automatically generate subsequent frames like a "relay race," theoretically allowing for infinite generation.Seamless "Invisible" Stitching It automatically trims the awkward beginnings of extended segments, making the transition between clips as smooth as silk, with absolutely no visible stitching marks.【Use Cases】Creating ultra-long looping landscape videos.Producing coherent narrative shorts, no longer limited by the 5-second barrier.
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新精选

卓越总部工作流程

This workflow aims to create high-quality images without being a turtle slow. It consists of a USDU acting as a refiner and a chain of detailers. The result is very good quality images with an execution time of less than one minute and thirty seconds. Times range from 1:10 to 1:30 minutes.It is optimized to work with the recommended latent resolutions for Illustrious-XL, which are close to 832x1216. These resolutions avoid long, deformed bodies, elongated faces, broken columns, etc. Don't worry, the workflow refinement leaves the images with tremendous quality.I left a Preview Image from the initial Ksmapler so you can see if your Checkpoint, LoRA, and Prompt are causing problems (if your problem comes from here, it's a problem with your own model configuration, LoRA, and prompt; don't blame the workflow!).If you have questions, suggestions, or want to point out errors, feel free to comment. Oh, and don't forget to post your artwork! :3

卓越总部工作流程

5.0

This workflow aims to create high-quality images without being a turtle slow. It consists of a USDU acting as a refiner and a chain of detailers. The result is very good quality images with an execution time of less than one minute and thirty seconds. Times range from 1:10 to 1:30 minutes.It is optimized to work with the recommended latent resolutions for Illustrious-XL, which are close to 832x1216. These resolutions avoid long, deformed bodies, elongated faces, broken columns, etc. Don't worry, the workflow refinement leaves the images with tremendous quality.I left a Preview Image from the initial Ksmapler so you can see if your Checkpoint, LoRA, and Prompt are causing problems (if your problem comes from here, it's a problem with your own model configuration, LoRA, and prompt; don't blame the workflow!).If you have questions, suggestions, or want to point out errors, feel free to comment. Oh, and don't forget to post your artwork! :3
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Pls win Pls
挑战活动
基础
视频生成
音频生成
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风格
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创意玩法
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欢迎使用海艺AI工作流

通过海艺专为满足艺术家、设计师和创意人员的多样化需求而设计的AI艺术生成器工作流,简化你的创作过程。从AI图像到AI视频海艺AI提供了实现艺术愿景所需的一切。

为什么要选择海艺AI的ComfyUI工作流?

简单的界面

海艺AI提供的直观界面,让你可以轻松配置工作流。即使没有编程经验,你也能驾驭所有工作流。

可自定义的工作流

按你的方式设计工作流。从高级LoRA训练到复杂精细的文生图,每个步骤都可以根据你的需求进行调整。

高效率

海艺优化了AI艺术创作过程,加快渲染时间,减少技术障碍,助你快速生成令人惊叹的视觉效果。

海艺AI上的多个工作流

成千上万的AI艺术创作工作流

通过海艺工作流扩展你的艺术视野。访问成千上万个预设工作流,轻松生成各种格式的AI艺术,如文生图、图生图和图生视频。这些工作流集成了Flux、SD 3.5等强大的AI模型,以及包括条件生图在内的其他流行选项,给予你极大的灵活性去创作符合个人喜好的惊艳视觉效果。

海艺AI上的可自定义工作流

通过可自定义的工作流掌控一切

通过海艺工作流,你可以完全控制生成过程。我们提供强大的自定义选项,允许你根据特定需求调整工作流,例如调整参数,修改AI模型,以及微调设置,以确保最终效果符合你的创作愿景。

常见问题解答

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什么是ComfyUI工作流?

海艺AI的工作流是一种超越简单文本提示词的创新工具。与传统的AI艺术生成器不同,海艺提供了一个可视化的工作流系统,你可以在其中打造自定义的工作流,精确控制图像和视频生成过程。

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我能用工作流生成哪些类型的AI艺术?

我们的工作流允许你轻松生成各种类型的AI艺术,包括写实人像、奇幻风景、动漫角色和抽象创作。你可以轻松实现文生图、图生图和图生视频,应用风格变化,甚至还能生成3D模型。

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新手可以使用ComfyUI工作流吗?

可以!借助我们易于使用的拖放界面和实时预览,海艺的工作流既适合新手也适合高级用户,让AI艺术创作变得简单无比。

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我可以自定义我的工作流吗?

可以,海艺AI提供了多种可自定义的设置,允许你根据具体项目需求调整工作流。