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精選工作流

LTX2.3-Audio-video generation

LTX-2.3 is an open-source audio-video foundation model released by Lightricks. Its core feature is not simply generating video alone or producing video first and adding audio later. Instead, it places both video and audio within a single generation framework, directly producing synchronized visuals and sound. Officially, it is described as a DiT-based audio-video foundation model, meaning a joint audio-video generation model built on Diffusion Transformer architecture.Compared with many traditional video generation approaches, the biggest difference of LTX-2.3 is its native audio-visual synchronization. If a prompt includes speaking, singing, ambient sound, or rhythmic motion, the model attempts to align lip movements, actions, and sound within a single generation process, rather than relying on post-processing to dub audio or correct lip sync afterward. This makes it especially valuable for dialogue videos, character singing, and short narrative scenes.

LTX2.3-Audio-video generation

5.0

LTX-2.3 is an open-source audio-video foundation model released by Lightricks. Its core feature is not simply generating video alone or producing video first and adding audio later. Instead, it places both video and audio within a single generation framework, directly producing synchronized visuals and sound. Officially, it is described as a DiT-based audio-video foundation model, meaning a joint audio-video generation model built on Diffusion Transformer architecture.Compared with many traditional video generation approaches, the biggest difference of LTX-2.3 is its native audio-visual synchronization. If a prompt includes speaking, singing, ambient sound, or rhythmic motion, the model attempts to align lip movements, actions, and sound within a single generation process, rather than relying on post-processing to dub audio or correct lip sync afterward. This makes it especially valuable for dialogue videos, character singing, and short narrative scenes.
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Flux.2 Pro&Flex

This workflow is providing access to two distinct versions: FLUX.2 Pro and FLUX.2 Flex. You can switch between them based on your specific needs for image precision and cost efficiency.🧩 Versions & Capabilities1. FLUX.2 ProCapabilities: Capable of generating high-quality images. Ideal for most standard creative tasks, style exploration, and rapid generation.Pricing (Credits):Text Only: 55 (≤1024px) / 70 (>1024px)Image Input: 80 (≤1024px) / 100 (>1024px)2. FLUX.2 FlexCapabilities: Compared to Pro, Flex excels in handling complex lighting, intricate textures, and adherence to long, complex prompts. It is the premier choice for ultimate image quality, commercial poster output, and high-precision editing tasks.Pricing (Credits):Text Only: 110 (≤1024px) / 140 (>1024px)Image Input: 220 (≤1024px) / 260 (>1024px)

Flux.2 Pro&Flex

4.9

This workflow is providing access to two distinct versions: FLUX.2 Pro and FLUX.2 Flex. You can switch between them based on your specific needs for image precision and cost efficiency.🧩 Versions & Capabilities1. FLUX.2 ProCapabilities: Capable of generating high-quality images. Ideal for most standard creative tasks, style exploration, and rapid generation.Pricing (Credits):Text Only: 55 (≤1024px) / 70 (>1024px)Image Input: 80 (≤1024px) / 100 (>1024px)2. FLUX.2 FlexCapabilities: Compared to Pro, Flex excels in handling complex lighting, intricate textures, and adherence to long, complex prompts. It is the premier choice for ultimate image quality, commercial poster output, and high-precision editing tasks.Pricing (Credits):Text Only: 110 (≤1024px) / 140 (>1024px)Image Input: 220 (≤1024px) / 260 (>1024px)
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Wan Video

Wan2.2 VACE - Multimodal control-KJ

Continue the “unified editing/control” paradigm on the 2.2 backbone. The 2.2 backbone adopts a Mixture‑of‑Experts (MoE) design—high‑noise and low‑noise experts operating at different denoising stages—to improve quality and detail while keeping inference costs manageable. A representative controllable variant is Wan2.2‑VACE‑Fun‑A14B, which supports multi‑modal control conditions (Canny, Depth, OpenPose, MLSD, Trajectory, etc.). A typical workflow is: provide a reference image (to preserve identity/appearance) plus a driving video or its parsed control signals (e.g., pose sequence, trajectory, time‑varying depth/edges) to generate a video driven by that reference image. The VACE/Fun family provides these temporal control interfaces and the unified task support.

Wan2.2 VACE - Multimodal control-KJ

4.7

Continue the “unified editing/control” paradigm on the 2.2 backbone. The 2.2 backbone adopts a Mixture‑of‑Experts (MoE) design—high‑noise and low‑noise experts operating at different denoising stages—to improve quality and detail while keeping inference costs manageable. A representative controllable variant is Wan2.2‑VACE‑Fun‑A14B, which supports multi‑modal control conditions (Canny, Depth, OpenPose, MLSD, Trajectory, etc.). A typical workflow is: provide a reference image (to preserve identity/appearance) plus a driving video or its parsed control signals (e.g., pose sequence, trajectory, time‑varying depth/edges) to generate a video driven by that reference image. The VACE/Fun family provides these temporal control interfaces and the unified task support.
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Wan2.2‑Fun-Inp-KJ

Wan2.2‑Fun‑InP is part of the Wan2.2‑Fun series. It supports conditioning on a start frame and an end frame to estimate the in‑between transition and produce temporally consistent video results for controllable image‑to‑video applications.What it addresses:Traditional image‑to‑video workflows typically extend motion from a single starting image. By adding an optional end keyframe, Fun‑InP helps the motion, composition, and overall content progress toward a specified target, making transitions easier to control and the sequence more coherent.Inputs: start‑frame image, end‑frame image (optional text prompt / control signals).Output: a video clip made up of interpolated middle frames, with the first and last frames visually consistent with the provided keyframes.

Wan2.2‑Fun-Inp-KJ

4.5

Wan2.2‑Fun‑InP is part of the Wan2.2‑Fun series. It supports conditioning on a start frame and an end frame to estimate the in‑between transition and produce temporally consistent video results for controllable image‑to‑video applications.What it addresses:Traditional image‑to‑video workflows typically extend motion from a single starting image. By adding an optional end keyframe, Fun‑InP helps the motion, composition, and overall content progress toward a specified target, making transitions easier to control and the sequence more coherent.Inputs: start‑frame image, end‑frame image (optional text prompt / control signals).Output: a video clip made up of interpolated middle frames, with the first and last frames visually consistent with the provided keyframes.
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Wan2.1 Minimax-Remover - Video erase -KJ

Core Focus: Video-level object removal. Given a sequence of video frames and a corresponding mask, it seamlessly removes the masked object and fills in the background while maintaining temporal consistency, minimizing artifacts or remnants.Method Highlights:Minimum-Maximum Optimization: Tames bad noise during training and inference, improving the model's robustness to masked regions and reducing the probability of object regeneration.Two-Stage Architecture: First, a simplified DiT (Diffusion Transformer) structure is used to learn the removal capability; then, a version with fewer sampling steps and faster inference is obtained through "CFG de-distillation."Efficiency Features: Extremely low inference steps (approximately 6 steps in the official example), and does not rely on CFG, resulting in high speed and low resource consumption, suitable for long videos/batch processing. References

Wan2.1 Minimax-Remover - Video erase -KJ

3.0

Core Focus: Video-level object removal. Given a sequence of video frames and a corresponding mask, it seamlessly removes the masked object and fills in the background while maintaining temporal consistency, minimizing artifacts or remnants.Method Highlights:Minimum-Maximum Optimization: Tames bad noise during training and inference, improving the model's robustness to masked regions and reducing the probability of object regeneration.Two-Stage Architecture: First, a simplified DiT (Diffusion Transformer) structure is used to learn the removal capability; then, a version with fewer sampling steps and faster inference is obtained through "CFG de-distillation."Efficiency Features: Extremely low inference steps (approximately 6 steps in the official example), and does not rely on CFG, resulting in high speed and low resource consumption, suitable for long videos/batch processing. References
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LongCat-Video extension

🐱 LongCat-Video: Infinite Video Extension Workflow【One-Sentence Intro】Break the duration limit of AI video generation 🚀What Can It Do?This is an advanced workflow based on the **Wan2.1** model, designed to solve the core pain points of AI videos being "too short" and "disjointed when extended."♾️ Infinite Extension Just provide an image or a short video clip, and the workflow will automatically generate subsequent frames like a "relay race," theoretically allowing for infinite generation.Seamless "Invisible" Stitching It automatically trims the awkward beginnings of extended segments, making the transition between clips as smooth as silk, with absolutely no visible stitching marks.【Use Cases】Creating ultra-long looping landscape videos.Producing coherent narrative shorts, no longer limited by the 5-second barrier.

LongCat-Video extension

4.3

🐱 LongCat-Video: Infinite Video Extension Workflow【One-Sentence Intro】Break the duration limit of AI video generation 🚀What Can It Do?This is an advanced workflow based on the **Wan2.1** model, designed to solve the core pain points of AI videos being "too short" and "disjointed when extended."♾️ Infinite Extension Just provide an image or a short video clip, and the workflow will automatically generate subsequent frames like a "relay race," theoretically allowing for infinite generation.Seamless "Invisible" Stitching It automatically trims the awkward beginnings of extended segments, making the transition between clips as smooth as silk, with absolutely no visible stitching marks.【Use Cases】Creating ultra-long looping landscape videos.Producing coherent narrative shorts, no longer limited by the 5-second barrier.
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新精選

卓越总部工作流程

This workflow aims to create high-quality images without being a turtle slow. It consists of a USDU acting as a refiner and a chain of detailers. The result is very good quality images with an execution time of less than one minute and thirty seconds. Times range from 1:10 to 1:30 minutes.It is optimized to work with the recommended latent resolutions for Illustrious-XL, which are close to 832x1216. These resolutions avoid long, deformed bodies, elongated faces, broken columns, etc. Don't worry, the workflow refinement leaves the images with tremendous quality.I left a Preview Image from the initial Ksmapler so you can see if your Checkpoint, LoRA, and Prompt are causing problems (if your problem comes from here, it's a problem with your own model configuration, LoRA, and prompt; don't blame the workflow!).If you have questions, suggestions, or want to point out errors, feel free to comment. Oh, and don't forget to post your artwork! :3

卓越总部工作流程

5.0

This workflow aims to create high-quality images without being a turtle slow. It consists of a USDU acting as a refiner and a chain of detailers. The result is very good quality images with an execution time of less than one minute and thirty seconds. Times range from 1:10 to 1:30 minutes.It is optimized to work with the recommended latent resolutions for Illustrious-XL, which are close to 832x1216. These resolutions avoid long, deformed bodies, elongated faces, broken columns, etc. Don't worry, the workflow refinement leaves the images with tremendous quality.I left a Preview Image from the initial Ksmapler so you can see if your Checkpoint, LoRA, and Prompt are causing problems (if your problem comes from here, it's a problem with your own model configuration, LoRA, and prompt; don't blame the workflow!).If you have questions, suggestions, or want to point out errors, feel free to comment. Oh, and don't forget to post your artwork! :3
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歡迎來到 SeaArt AI Workflow

透過 SeaArt 的 AI 藝術生成器 workflow,簡化您的創作過程,這些 workflow 是為了滿足藝術家、設計師和創作者的多元需求而設計的。從 AI 圖像到 AI 視頻SeaArt AI 提供您所需的一切,幫助您將藝術視野變為現實。

為什麼在 SeaArt AI 上使用 ComfyUI Workflow?

簡單介面

SeaArt AI 提供直觀的介面,讓配置 workflow 變得輕而易舉。所有的 workflow 都是為每個人設計的,即使您沒有程式設計經驗。

可定製的Workflow

依照您的需求設計自己的 workflow。從進階的 LoRA 訓練到複雜的文字轉圖片生成,每個步驟都可以調整,滿足您的需求。

高效率

SeaArt 優化了 AI 藝術創作的過程。享受更快的渲染時間,減少技術障礙。快速創作出驚艷的視覺效果。

SeaArt AI 上的多種 Workflow

數千種 AI 藝術創作 Workflow

使用 SeaArt Workflow 解鎖您的藝術視野。輕鬆訪問數千個預設 workflow,生成各種格式的 AI 藝術,例如 文字轉圖像、圖像轉圖像和圖像轉視頻。這些 workflow 與強大的 AI 模型(如 Flux、SD 3.5 等熱門選項,包含 ControlNet)整合,讓您能夠根據喜好創作出令人驚艷的視覺效果。

SeaArt AI 上的可自定義 Workflow

完全控制,使用可訂製的 Workflow

使用 SeaArt Workflow,您可以完全控制創作過程。我們提供強大的自訂選項,讓您根據具體需求調整 workflow。調整參數、變更 AI 模型,並細緻調整設置,確保最終輸出符合您的藝術視野。

常見問題解答

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什麼是 ComfyUI Workflow?

SeaArt AI 的 Workflow 是一個創新的工具,超越了簡單的文字提示。與傳統的 AI 藝術生成器不同,SeaArt 提供了一個視覺化的 workflow 系統,讓您可以創建自訂 workflow,精確控制圖像和視頻的生成過程。

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我可以用 workflow 創建哪些類型的 AI 藝術?

這些 workflow 使您可以輕鬆創建各種 AI 藝術,包括真實的肖像、幻想景觀、動漫角色和抽象創作。您可以輕鬆生成文字轉圖像、圖像轉圖像和圖像轉視頻,並應用風格轉換,甚至創建 3D 模型。

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ComfyUI Workflow 適合初學者使用嗎?

是的!憑藉我們用戶友好的拖放介面和即時預覽,SeaArt 的 Workflow 適用於初學者和進階使用者,讓 AI 藝術創作變得簡單。

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我可以自定義我的 workflow 嗎?

可以。SeaArt AI 提供多種可自訂的設置,讓您根據特定的項目需求設定 workflow。