A close up of a woman laying on a bed with a laptop


Yukaku, Yoshiwara, Spirited Away background, red light background, geisha, courtesan, oiran and maiko, beautiful Japan woman in kimono with Japan hair tied, Japan hair, tanbo, everyday kimono, skin sleeves, Japan obi, kimono, loose breasts, no bra, undulating proportions, seductive poses, provocative smiles, mature woman, night view, red light source room, red lantern red light, interior of Japan private house, beds, tatami mats, tatami flooring, shoji, fusuma, Japan fantasy background, masterpiece, exquisite and artistic face, very detailed and expressive eyes, shiny hair, highly detailed face and skin texture, highly detailed skin with pores, detailed hand description, detailed leg description, 8K, 16K, best quality, professional writing, radiosity, film lighting, dramatic lighting, photorealistic, exquisite CG, physical rendering, Ultra-realistic, realistic and realistic textures, Unreal Engine 5, dynamic angles,
Prompts
Prompts kopieren
Yukaku
,
Yoshiwara
,
Spirited Away background
,
red light background
,
geisha
,
courtesan
,
oiran and maiko
,
beautiful Japan woman in kimono with Japan hair tied
,
Japan hair
,
tanbo
,
everyday kimono
,
skin sleeves
,
Japan obi
,
kimono
,
loose breasts
,
no bra
,
undulating proportions
,
seductive poses
,
provocative smiles
,
mature woman
,
night view
,
red light source room
,
red lantern red light
,
interior of Japan private house
,
beds
,
tatami mats
,
tatami flooring
,
shoji
,
fusuma
,
Japan fantasy background
,
masterpiece
,
exquisite and artistic face
,
very detailed and expressive eyes
,
shiny hair
,
highly detailed face and skin texture
,
highly detailed skin with pores
,
detailed hand description
,
detailed leg description
,
8K
,
16K
,
best quality
,
professional writing
,
radiosity
,
film lighting
,
dramatic lighting
,
photorealistic
,
exquisite CG
,
physical rendering
,
Ultra-realistic
,
realistic and realistic textures
,
Unreal Engine 5
,
dynamic angles
,
Info
Checkpoint & LoRA

Checkpoint
majicMIX realistic 麦橘写实
0 Kommentar(e)
0
2
0