Panel 3: Setting: A close-up shot of Ana and Mang Ramon, focusing on their face

Panel 3: Setting: A close-up shot of Ana and Mang Ramon, focusing on their faces and the painting. Details: Ana's eyes should light up as she speaks, and Mang Ramon's smile should be warm and reassuring. Color palette: A mix of warm and cool colors to create a sense of connection between the two characters. Panel 4: Setting: A wide shot of the park, with the tinikling dancers in the foreground. Details: The dancers should be wearing colorful traditional attire, and the background should be filled with people watching and cheering. Color palette: Vibrant and energetic colors to capture the festive atmosphere. Panel 5: Setting: A more dynamic shot of the tinikling dancers, with the camera moving to follow their movements. Details: The dancers should be of different ages and backgrounds, emphasizing the idea of unity. Color palette: A continuation of the vibrant colors from Panel 4. Panel 6: Setting: A close-up shot of Ana, with the tinikling dancers in the background. Details: Ana's eyes should be filled with joy and inspiration, and her paintbrush should be held up as if she is ready to capture the moment. Color palette: A mix of soft and bright colors to create a sense of hope and optimism. Panel 7: Setting: A full-page spread featuring the heart made of the Philippine flag colors. Details: The heart should be surrounded by images of various Filipino art forms, such as music, dance, and literature. Color palette: A bold and striking use of the Philippine flag colors to create a powerful visual impact. Komiks: Ang Sining ng Pagkakaisa Panel 1: - Isang batang babae na nakasuot ng tradisyunal na damit ng Pilipino, nakaupo sa isang bangko sa parke, nagpipinta ng isang tanawin ng palayan. Caption: "Si Ana, isang batang artista, ay nagmamahal sa sining ng Pilipinas." Panel 2: - Isang matandang lalaki, nakasuot ng barong tagalog, nakatingin sa gawa ni Ana. Nakangiti siya at tumango. Caption: "Nakita siya ni Mang Ramon, isang batikang pintor, at napahanga s