At first glance, it promised much. The outer walls were thick and looked astonishingly powerful. Unlike the sober grey Meluhan walls, the exterior of Ayodhya had been extravagantly painted with every colour in god’s universe. Each alternate brick, however, was painted in pristine white, the royal colour of the Chandravanshis. Numerous banners, tinted in pink and blue, had been festooned down the city towers. The banners weren’t put up for a special occasion, but were permanent fixtures, adorning the city.

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