A painting of an eye surrounded by triangles and stars

$Visioneering's fractured planes assemble into an expansive cubist eye, simultaneously peering inward and gazing ahead. Shards of geometry in shades of brown, blue, and green interlock to form the intricate contours of the iris, whose enigmatic presence fills the canvas. The abstracted ocular shapes hint at structures of perception - the lens, optic nerve, cornea, and lashes picked out in fragmentary triangular facets. The eye's fractal depths seem to recede infinitely inwards, conveying inner sight and imagination. Yet the expansive pupil also stares boldly outwards, refracting the external world into splintered shards and contradictory planes. It confronts the viewer with an intelligent vision, aware and alert, as if critically examining all it surveys. The paradoxical sense of vision directed outwards and inwards simultaneously creates an Escheresque quality, like an optical illusion unfolding in time. As we fall into the cubist gaze, spinning with possibilities, one truth becomes clear: perception is the only key to unlocking Visioneering’s riddles of perspective and dimensionality.$